Category : Poetry & Literature

A Poem for the Feast of the Annunciation from Andrew Hudgins

The angel has already said, Be not afraid.
He’s said, The power of the Most High
will darken you.
Her eyes are downcast and half closed.
And there’s a long pause — a pause here of forever —
as the angel crowds her. She backs away,
her left side pressed against the picture frame.

Read it all.

Posted in Church Year / Liturgical Seasons, Poetry & Literature

Heaven Haven

I have desired to go
Where springs not fail,
To fields where flies no sharp and sided hail,
And a few lilies blow.

And I have asked to be
Where no storms come,
Where the green swell is in the havens dumb,
And out of the swing of the sea.

–Gerard Manley Hopkins (1844-1899)

Posted in Easter, Poetry & Literature

George Herbert–Easter

Rise heart; thy Lord is risen. Sing his praise
Without delayes,
Who takes thee by the hand, that thou likewise
With him mayst rise:
That, as his death calcined thee to dust,
His life may make thee gold, and much more, just.

Awake, my lute, and struggle for thy part
With all thy art.
The crosse taught all wood to resound his name,
Who bore the same.
His stretched sinews taught all strings, what key
Is best to celebrate this most high day.

Read it all.

Posted in Easter, Poetry & Literature

JRR Tolkien for Easter 2018–Is everything sad going to come untrue? What’s happened to the world?

Sam believes that Gandalf has fallen a catastrophic distance and has died. But in the end of the story, with Sam having been asleep for a long while and then beginning to regain consciousness, Gandalf stands before Sam, robed in white, his face glistening in the sunlight, and says:

“Well, Master Samwise, how do you feel?”

But Sam lay back, and stared with open mouth, and for a moment, between bewilderment and great joy, he could not answer. At last he gasped: “Gandalf! I thought you were dead! But then I thought I was dead myself. Is everything sad going to come untrue? What’s happened to the world?”

“A great shadow has departed,” said Gandalf, and then he laughed, and the sound was like music, or like water in a parched land; and as he listened the thought came to Sam that he had not heard laughter, the pure sound of merriment, for days without count. It fell upon his ears like the echo of all the joys he had ever known. But he himself burst into tears. Then as a sweet rain will pass down a wind of spring and the sun will shine out the clearer, his tears ceased, and his laughter welled up, and laughing he sprang from bed… “How do I feel?” he cried.” Well, I don’t know how to say it. I feel, I feel” –he waved his arms in the air– “I feel like spring after winter, and sun on the leaves; and like trumpets and harps and all the songs I have ever heard!”

— J.R.R. Tolkien (1892-1973), The Return of the King

Posted in Easter, Poetry & Literature

Seven Stanzas at Easter

Make no mistake: if He rose at all
it was as His body;
if the cells’ dissolution did not reverse, the molecules
reknit, the amino acids rekindle,
the Church will fall.

It was not as the flowers,
each soft Spring recurrent;
it was not as His Spirit in the mouths and fuddled
eyes of the eleven apostles;
it was as His Flesh: ours.
The same hinged thumbs and toes,
the same valved heart
that pierced died, withered, paused, and then
regathered out of enduring Might
new strength to enclose.
Let us not mock God with metaphor,
analogy, sidestepping transcendence;
making of the event a parable, a sign painted in the
faded credulity of earlier ages:
let us walk through the door.

The stone is rolled back, not paper-mache,
not a stone in a story,
but the vast rock of materiality that in the slow
grinding of time will eclipse for each of us
the wide light of day.

And if we will have an angel at the tomb,
make it a real angel,
weighty with Max Planck’s quanta, vivid with hair,
opaque in the dawn light, robed in real linen
spun on a definite loom.

Let us not seek to make it less monstrous,
for our own convenience, our own sense of beauty,
lest, awakened in one unthinkable hour, we are
embarrassed by the miracle,
and crushed by remonstrance.

–John Updike (1932-2009)

Posted in Easter, Poetry & Literature

The Eucatastrophe

The Resurrection is the eucatastrophe of the story of the Incarnation. This story begins and ends in joy.

— J.R.R. Tolkien (1892-1973)

Spring has sprung in #Summerville! #FlowertownInBloom

Posted by Visit Summerville on Friday, March 25, 2016

 

Posted in Easter, Poetry & Literature, Theology

Easter Night

All night had shout of men, and cry
Of woeful women filled His way;
Until that noon of sombre sky
On Friday, clamour and display
Smote Him; no solitude had He,
No silence, since Gethsemane.

Public was Death; but Power, but Might,
But Life again, but Victory,
Were hushed within the dead of night,
The shutter’d dark, the secrecy.
And all alone, alone, alone,
He rose again behind the stone.

–Alice Meynell (1847-1922)

Posted in Holy Week, Poetry & Literature, Theology

Softer Quiet, Stunning Stillness

The feathers of the birds made the air soft, softer

than the quiet in a cocoon waiting for wings,

stiller than the stare of a hooded falcon.

–Barbara Ras (1949– ), “A Book Said Dream and I Do”

Posted in Holy Week, Poetry & Literature

Upon our Saviour’s Tomb, wherein never man was laid.

HOW life and death in Thee
Agree !
Thou hadst a virgin womb
And tomb.
A Joseph did betroth
Them both.

–Richard Crashaw (1613-1649)

Posted in Death / Burial / Funerals, Holy Week, Poetry & Literature

Laura Varnum–‘Abide, Ye Who Pass By’: A 14th Century Poem for Good Friday

Behold my head, my hands, and my feet, and fully feel now, before you leave, if there is any mourning that is equal or mischief that can be measured unto mine…

Read it carefully and read it all.

Posted in Holy Week, Poetry & Literature

How shall I measure out thy bloud?

O My chief good,
How shall I measure out thy bloud?
How shall I count what thee befell,
And each grief tell?

Shall I thy woes
Number according to thy foes?
Or, since one starre show’d thy first breath,
Shall all thy death?

Or shall each leaf,
Which falls in Autumn, score a grief?
Or can not leaves, but fruit, be signe
Of the true vine?

Then let each houre
Of my whole life one grief devoure;
That thy distresse through all may runne,
And be my sunne.
Or rather let
My severall sinnes their sorrows get;
That as each beast his cure doth know,
Each sinne may so.

Since bloud is fittest, Lord, to write
Thy sorrows in, and bloudie fight;
My heart hath store, write there, where in
One box doth lie both ink and sinne:

That when sinne spies so many foes,
Thy whips, thy nails, thy wounds, thy woes,
All come to lodge there, sinne may say,
No room for me, and flie away.

Sinne being gone, oh fill the place,
And keep possession with thy grace;
Lest sinne take courage and return,
And all the writings blot or burn.

–George Herbert (1593-1633)

Posted in Christology, Holy Week, Poetry & Literature

Saint Peter

St. Peter once: ‘Lord, dost Thou wash my feet?’-
Much more I say: Lord, dost Thou stand and knock
At my closed heart more rugged than a rock,
Bolted and barred, for Thy soft touch unmeet,
Nor garnished nor in any wise made sweet?
Owls roost within and dancing satyrs mock.
Lord, I have heard the crowing of the cock
And have not wept: ah, Lord, thou knowest it.
Yet still I hear Thee knocking, still I hear:
‘Open to Me, look on Me eye to eye,
That I may wring thy heart and make it whole;
And teach thee love because I hold thee dear
And sup with thee in gladness soul with soul
And sup with thee in glory by and by.’

–Christina Rossetti (1830-1894)

Posted in Holy Week, Poetry & Literature

George Herbert on his Feast Day–The Thanksgiving

Oh King of grief! (a title strange, yet true,
To thee of all kings only due)
Oh King of wounds! how shall I grieve for thee,
Who in all grief preventest me?
Shall I weep blood? why thou has wept such store
That all thy body was one door.
Shall I be scourged, flouted, boxed, sold?
‘Tis but to tell the tale is told.
‘My God, my God, why dost thou part from me? ‘
Was such a grief as cannot be.
But how then shall I imitate thee, and
Copy thy fair, though bloody hand?
Surely I will revenge me on thy love,
And try who shall victorious prove.
If thou dost give me wealth, I will restore
All back unto thee by the poor.
If thou dost give me honour, men shall see,
The honour doth belong to thee.
I will not marry; or, if she be mine,
She and her children shall be thine.
My bosom friend, if he blaspheme thy name,
I will tear thence his love and fame.
One half of me being gone, the rest I give
Unto some Chapel, die or live.
As for thy passion – But of that anon,
When with the other I have done.
For thy predestination I’ll contrive,
That three years hence, if I survive,
I’ll build a spittle, or mend common ways,
But mend mine own without delays.
Then I will use the works of thy creation,
As if I us’d them but for fashion.
The world and I will quarrel; and the year
Shall not perceive, that I am here.
My music shall find thee, and ev’ry string
Shall have his attribute to sing;
That all together may accord in thee,
And prove one God, one harmony.
If thou shalt give me wit, it shall appear;
If thou hast giv’n it me, ’tis here.
Nay, I will read thy book, and never move
Till I have found therein thy love;
Thy art of love, which I’ll turn back on thee,
O my dear Saviour, Victory!
Then for thy passion – I will do for that –
Alas, my God, I know not what.

–George Herbert (1593-1633)

Posted in Poetry & Literature

Martha Vetter–Friendship in Winter

One of the most well-known friendships in literature is that between Wilbur the pig and Charlotte the spider in the popular children’s book Charlotte’s Web. Near the conclusion of the story,Wilbur shares his heart with Charlotte’s babies, who hatch just after their mom’s death. Listen intently as Wilbur speaks to them:

“Welcome to the barn cellar. You have chosen a hallowed doorway from which to string your webs. I think it is only fair to tell you that I wasdevoted to your mother, Charlotte…I shall always treasure her memory. To you, her daughters, I pledge my friendship, forever and ever…”

The story continues, “… A spring pig — a runt, no less — surrounded by friends, was welcoming his second spring. And all because he saw what no one else was able to see: the grace and beauty and remarkable talent of a common gray spider. It is not often that someone like Charlotte comes along who is a true friend.”

In this endearing children’s story, Charlotte, the humble spider, weaves three webs that save Wilbur’s life. Charlotte’s loving but strenuous efforts cause her to die prematurely. They also can serve as a metaphor of Christ, who came to earth and– through his own life, death and resurrection– brought new life to us.

Read it all.

Posted in * South Carolina, Christology, Health & Medicine, Poetry & Literature, Theology

Harriet Beecher Stowe on Dr. Martin Luther King Jr. Day

Have not many of us, in the weary way of life, felt, in some hours, how far easier it were to die than to live?

The martyr, when faced even by a death of bodily anguish and horror, finds in the very terror of his doom a strong stimulant and tonic. There is a vivid excitement, a thrill and fervor, which may carry through any crisis of suffering that is the birth-hour of eternal glory and rest.

But to live, to wear on, day after day, of mean, bitter, low, harassing servitude, every nerve dampened and depressed, every power of feeling gradually smothered, this long and wasting heart-martyrdom, this slow, daily bleeding away of the inward life, drop by drop, hour after hour, this is the true searching test of what there may be in man or woman.

When Tom stood face to face with his persecutor, and heard his threats, and thought in his very soul that his hour was come, his heart swelled bravely in him, and he thought he could bear torture and fire, bear anything, with the vision of Jesus and heaven but just a step beyond; but, when he was gone, and the present excitement passed off, came back the pain of his bruised and weary limbs, came back the sense of his utterly degraded, hopeless, forlorn estate; and the day passed wearily enough.Long before his wounds were healed, Legree insisted that he should be put to the regular field-work; and then came day after day of pain and weariness, aggravated by every kind of injustice and indignity that the ill-will of a mean and malicious mind could devise. Whoever, in our circumstances, has made trial of pain, even with all the alleviations which, for us, usually attend it, must know the irritation that comes with it. Tom no longer wondered at the habitual surliness of his associates; nay, he found the placid, sunny temper, which had been the habitude of his life, broken in on, and sorely strained, by the inroads of the same thing. He had flattered himself on leisure to read his Bible; but there was no such thing as leisure there. In the height of the season, Legree did not hesitate to press all his hands through, Sundays and week-days alike. Why shouldn’t he?””he made more cotton by it, and gained his wager; and if it wore out a few more hands, he could buy better ones. At first, Tom used to read a verse or two of his Bible, by the flicker of the fire, after he had returned from his daily toil; but, after the cruel treatment he received, he used to come home so exhausted, that his head swam and his eyes failed when he tried to read; and he was fain to stretch himself down, with the others, in utter exhaustion.

Is it strange that the religious peace and trust, which had upborne him hitherto, should give way to tossings of soul and despondent darkness? The gloomiest problem of this mysterious life was constantly before his eyes, souls crushed and ruined, evil triumphant, and God silent. It was weeks and months that Tom wrestled, in his own soul, in darkness and sorrow. He thought of Miss Ophelia’s letter to his Kentucky friends, and would pray earnestly that God would send him deliverance. And then he would watch, day after day, in the vague hope of seeing somebody sent to redeem him; and, when nobody came, he would crush back to his soul bitter thoughts, that it was vain to serve God, that God had forgotten him. He sometimes saw Cassy; and sometimes, when summoned to the house, caught a glimpse of the dejected form of Emmeline, but held very little communion with either; in fact, there was no time for him to commune with anybody.

–Harriet Beecher Stowe, Uncle Tom’s Cabin

Posted in America/U.S.A., Poetry & Literature, Race/Race Relations

CS Lewis for a Saturday–‘Of all the passions, the passion for the Inner Ring is most skillful in making a man who is not yet a very bad man do very bad things’

….the prophecy I make is this. To nine out of ten of you the choice which could lead to scoundrelism will come, when it does come, in no very dramatic colours. Obviously bad men, obviously threatening or bribing, will almost certainly not appear. Over a drink, or a cup of coffee, disguised as triviality and sandwiched between two jokes, from the lips of a man, or woman, whom you have recently been getting to know rather better and whom you hope to know better still—just at the moment when you are most anxious not to appear crude, or naïf or a prig—the hint will come. It will be the hint of something which the public, the ignorant, romantic public, would never understand: something which even the outsiders in your own profession are apt to make a fuss about: but something, says your new friend, which “we”—and at the word “we” you try not to blush for mere pleasure—something “we always do.”

And you will be drawn in, if you are drawn in, not by desire for gain or ease, but simply because at that moment, when the cup was so near your lips, you cannot bear to be thrust back again into the cold outer world. It would be so terrible to see the other man’s face—that genial, confidential, delightfully sophisticated face—turn suddenly cold and contemptuous, to know that you had been tried for the Inner Ring and rejected. And then, if you are drawn in, next week it will be something a little further from the rules, and next year something further still, but all in the jolliest, friendliest spirit. It may end in a crash, a scandal, and penal servitude; it may end in millions, a peerage and giving the prizes at your old school. But you will be a scoundrel….

Of all the passions, the passion for the Inner Ring is most skillful in making a man who is not yet a very bad man do very bad things.

–C S Lewis The Weight of Glory 9New York: HarperOne; HarperCollins rev. ed. edition, 2001), pp.154-155

Posted in Anthropology, Church History, Ethics / Moral Theology, Poetry & Literature

Epiphany by John Goodman

How could they have known not to come
On what amounted to pretense? Everything
Their learning held, all their beliefs
Said regal gifts were needful for a king.

The things they brought were left behind,
Doubtless; or maybe traded for bread:
Impecunious Joseph with a family
To feed, a roof to put over his head.

Read it all.

Posted in Epiphany, Poetry & Literature

Christmas Bells for the Twelfth Night

I heard the bells on Christmas Day
Their old, familiar carols play,
And wild and sweet
The words repeat
Of peace on earth, good-will to men!

And thought how, as the day had come,
The belfries of all Christendom
Had rolled along
The unbroken song
Of peace on earth, good-will to men!

Till ringing, singing on its way,
The world revolved from night to day,
A voice, a chime,
A chant sublime
Of peace on earth, good-will to men!
Then from each black, accursed mouth
The cannon thundered in the South,
And with the sound
The carols drowned
Of peace on earth, good-will to men!

It was as if an earthquake rent
The hearth-stones of a continent,
And made forlorn
The households born
Of peace on earth, good-will to men!

And in despair I bowed my head;
“There is no peace on earth,” I said;
“For hate is strong,
And mocks the song
Of peace on earth, good-will to men!”

Then pealed the bells more loud and deep:
“God is not dead, nor doth He sleep;
The Wrong shall fail,
The Right prevail,
With peace on earth, good-will to men.”

–Henry Wadsworth Longfellow (1807-1882)

Posted in Christmas, Poetry & Literature

Flannery O’Connor on Christmas: Is this the Word of God, this blue-cold child?

(It is very difficult to set the stage for this scene, but some background will be helpful. Rayber is one of the novel’s central characters and is strongly anti-Christian. He is looking as hard as he can for his nephew, Francis Tarwater, who has run away. This has led him to a small church service, likely a revival meeting, and he is watching what is occurring through a window. Rayber is unable to hear in one ear and in the other he wears a hearing device which sometimes vexes him. The “old man” is a reference to another key character in the novel, Mason Tarwater, whose death and desired burial form an important early part of the book. There is also a mention of Bishop who is Rayber’s son and who appears to have Down’s syndrome).

. . . A little girl hobbled into the spotlight.

Rayber cringed. Simply by the sight of her he could tell that she was not a fraud, that she was only exploited. She was eleven or twelve with a small delicate face and a head of black hair that looked too thick and heavy for a frail child to support. A cape like her mother’s was turned back over one shoulder and her skirt was short as if better to reveal the thin legs twisted from the knees. She held her arms over her head for a moment. “I want to tell you people the story of the world,” she said in a loud high child’s voice. “I want to tell you why Jesus came and what happened to Him. I want to tell you how He’ll come again. I want to tell you to be ready. Most of all,” she said, “I want to tell you to be ready so that on the last day you’ll rise in the glory of the Lord.”
Rayber’s fury encompassed the parents, the preacher, all the idiots he could not see who were sitting in front of the child, parties to her degradation. She believed it, she was locked tight in it, chained hand and foot, exactly as he had been, exactly as only a child could be. He felt the taste of his own childhood pain laid again on his tongue like a bitter wafer.

“Do you know who Jesus is?” she cried. “Jesus is the word of God and Jesus is love. The Word of God is love and do you know what love is, you people? If you don’t know what love is you won’t know Jesus when He comes. You won’t be ready. I want to tell you people the story of the world, how it never known when love come, so when love comes again, you’ll be ready.”

She moved back and forth across the stage, frowning as if she were trying to see the people through the fierce circle of light that followed her. “Listen to me, you people,” she said, “God was angry with the world because it always wanted more. It wanted as much as God had and it didn’t know what God had but it wanted it and more. It wanted God’s own breath, it wanted His very Word and God said, ‘I’ll make my Word Jesus, I’ll give them my Word for a king, I’ll give them my very breath for theirs.’

“Listen, you people,” she said and flung her arms wide, “God told the world He was going to send it a king and the world waited. The world thought, a golden fleece will do for His bed. Silver and gold and peacock tails, a thousand suns in a peacock’s tail will do for His sash. His mother will ride on a four-horned white beast and use the sunset for a cape. She’ll trail it behind her over the ground and let the world pull it to pieces, a new one every evening.”

To Rayber she was like one of those birds blinded to make it sing more sweetly. Her voice had the tone of a glass bell. His pity encompassed all exploited children–himself when he was a child, Tarwater exploited by the old man, this child exploited by parents, Bishop exploited by the very fact that he was alive.

“The world said, ‘How long, Lord, do we have to wait for this?’ And the Lord said, ‘My Word is coming, my Word is coming from the house of David, the king.'” She paused and turned her head to the side, away from the fierce light. Her dark gaze moved slowly until it rested on Rayber’s head in the window. He stared back at her. Her eyes remained on his face for a moment. A deep shock went through him. He was certain that the child had looked directly into his heart and seen his pity. He felt that some mysterious connection was established between them.

“‘My Word is coming,'” she said, turning back to face the glare, “‘my Word is coming from the house of David, the king.'”

She began again in a dirge-like tone. “Jesus came on cold straw. Jesus was warmed by the breath of an ox. ‘Who is this?’ the world said, ‘who is this blue-cold child and this woman, plain as the winter? Is this the Word of God, this blue-cold child? Is this His will, this plain winter-woman?’

“Listen you people!” she cried, “the world knew in its heart, the same as you know in your hearts and I know in my heart. The world said, ‘Love cuts like the cold wind and the will of God is plain as the winter. Where is the summer will of God? Where are the green seasons of God’s will? Where is the spring and summer of God’s will?’

“They had to flee into Egypt,” she said in a low voice and turned her head again and this time her eyes moved directly to Rayber’s face in the window and he knew they sought it. He felt himself caught up in her look, held there before the judgment seat of her eyes.

“You and I know,” she said turning again, “what the world hoped then. The world hoped old Herod would slay the right child, the world hoped old Herod wouldn’t waste those children, but he wasted them. He didn’t get the right one. Jesus grew up and raised the dead.”

Rayber felt his spirit borne aloft. But not those dead! he cried, not the innocent children, not you, not me when I was a child, not Bishop, not Frank! and he had a vision of himself moving like an avenging angel through the world, gathering up all the children that the Lord, not Herod, had slain.

“Jesus grew up and raised the dead,” she cried, “and the world shouted, ‘Leave the dead lie. The dead are dead and can stay that way. What do we want with the dead alive?’ Oh you people!” she shouted, “they nailed Him to a cross and run a spear through His side and then they said, ‘Now we can have some peace, now we can ease our minds.’ And they hadn’t but only said it when they wanted Him to come again. Their eyes were opened and they saw the glory they had killed.

“Listen world,” she cried, flinging up her arms so that the cape flew out behind her, “Jesus is coming again! The mountains are going to lie down like hounds at His feet, the stars are going to perch on His shoulder and when He calls it, the sun is going to fall like a goose for His feast. Will you know the Lord Jesus then? The mountains will know Him and bound forward, the stars will light on His head, the sun will drop down at His feet, but will you know the Lord Jesus then?”

Rayber saw himself fleeing with the child to some enclosed garden where he would teach her the truth, where he would gather all the exploited children of the world and let the sunshine flood their minds.

“If you don’t know Him now, you won’t know Him then. Listen to me, world, listen to this warning. The Holy Word is in my mouth!

“The Holy Word is in my mouth!” she cried and turned her eyes again on his face in the window. This time there was a lowering concentration in her gaze. He had drawn her attention entirely away from the congregation.

Come away with me! he silently implored, and I’ll teach you the truth, I’ll save you, beautiful child!

Her eyes still fixed on him, she cried, “I’ve seen the Lord in a tree of fire! The Word of God is a burning Word to burn you clean!” She was moving in his direction, the people in front of her forgotten. Rayber’s heart began to race. He felt some miraculous communication between them. The child alone in the world was meant to understand him. “Burns the whole world, man and child,” she cried, her eye on him, “none can escape.” She stopped a little distance from the end of the stage and stood silent, her whole attention directed across the small room to his face on the ledge. Her eyes were large and dark and fierce. He felt that in the space between them, their spirits had broken the bonds of age and ignorance and were mingling in some unheard of knowledge of each other. He was transfixed by the child’s silence. Suddenly she raised her arm and pointed toward his face. “Listen you people,” she shrieked, “I see a damned soul before my eyes! I see a dead man Jesus hasn’t raised. His head is in the window but his ear is deaf to the Holy Word!”

Rayber’s head, as if it had been struck by an invisible bolt, dropped from the ledge. He crouched on the ground, his furious spectacled eyes glittering behind the shrubbery. Inside she continued to shriek, “Are you deaf to the Lord’s Word? The Word of God is a burning Word to burn you clean, burns man and child, man and child the same, you people! Be saved in the Lord’s fire or perish in your own! Be saved in . . .”

He was groping fiercely about him, slapping at his coat pockets, his head, his chest, not able to find the switch that would cut off the voice. Then his hand touched the button and he snapped it. A silent dark relief enclosed him like shelter after a tormenting wind.

The Violent Bear It Away (New York: Farrar, Straus and Giroux, 1960), pp.129-132 [my emphasis]

Posted in Christmas, Poetry & Literature

Eleanor Parker–One last Christmas Poem on the Eve of the Epiphany

Learn to love as I love thee.
In all my limbs thou mayest see
How sore they quake for cold;
For thee I suffer all this woe,
Love me, sweet, and no mo; [no other]
To thee me take and hold.

Jesu, sweet son dear,
In poor bed thou liest now here,
And that grieveth me sore.
For thy cradle is a bier,
Ox and ass are thy fere, [companions]
Weep may I therefore!

Read it all.

Posted in Christmas, Poetry & Literature

Flannery O’Connor on the idea of the Need for Redemption being Squashed

My own feeling is that writers who see by the light of their Christian faith will have, in these times, the sharpest eyes for the grotesque, for the perverse, and for the unacceptable. In some cases, these writers may be unconsciously infected with the Manichaean spirit of the times and suffer the much-discussed disjunction between sensibility and belief, but I think that more often the reason for this attention to the perverse is the difference between their beliefs and the beliefs of their audience. Redemption is meaningless unless there is case for it in the actual life we live, and for the last few centuries there has been operating in our culture the secular belief that there is no such cause.

The novelist with Christian concerns will find in modern life distortions which are repugnant to him, and his problem will be to make these appear as distortions to an audience which is used to seeing them as natural; and he may well be forced to take ever more violent means to get his vision across to this hostile audience. When you can assume that your audience holds the same beliefs as you do, you can relax a little and use more normal means of talking to it; when you have to assume that it does not, then you have to make your vision apparent by shock, to the hard of hearing you shout, and for the almost-blind, you draw large and startling figures.

Mystery and Manners: Occasional Prose (New York: Farrar, Straus and Giroux, 1969) pp. 33-34 [my emphasis]

Posted in Anthropology, Christmas, Church History, Poetry & Literature

More Poetry for New Years Day–‘To the New Year’ by W S Merwin

so this is the sound of you
here and now whether or not
anyone hears it this is
where we have come with our age
our knowledge such as it is
and our hopes such as they are

Read it all.

Posted in History, Poetry & Literature

Poetry as 2018 begins–The Thread of Life

[1] The irresponsive silence of the land,
The irresponsive sounding of the sea,
Speak both one message of one sense to me: ””
Aloof, aloof, we stand aloof, so stand
Thou too aloof bound with the flawless band
Of inner solitude; we bind not thee;
But who from thy self””chain shall set thee free?
What heart shall touch thy heart? what hand thy hand?””
And I am sometimes proud and sometimes meek,
And sometimes I remember days of old
When fellowship seemed not so far to seek
And all the world and I seemed much less cold,
And at the rainbow’s foot lay surely gold,
And hope felt strong and life itself not weak.
[2] Thus am I mine own prison. Everything
Around me free and sunny and at ease:
Or if in shadow, in a shade of trees
Which the sun kisses, where the gay birds sing
And where all winds make various murmuring;
Where bees are found, with honey for the bees;
Where sounds are music, and where silences
Are music of an unlike fashioning.
Then gaze I at the merrymaking crew,
And smile a moment and a moment sigh
Thinking: Why can I not rejoice with you ?
But soon I put the foolish fancy by:
I am not what I have nor what I do;
But what I was I am, I am even I.

[3]Therefore myself is that one only thing
I hold to use or waste, to keep or give;
My sole possession every day I live,
And still mine own despite Time’s winnowing.
Ever mine own, while moons and seasons bring
From crudeness ripeness mellow and sanative;
Ever mine own, till Death shall ply his sieve;
And still mine own, when saints break grave and sing.
And this myself as king unto my King
I give, to Him Who gave Himself for me;
Who gives Himself to me, and bids me sing
A sweet new song of His redeemed set free;
He bids me sing: O death, where is thy sting?
And sing: O grave, where is thy victory?

–Christina Rossetti (1830-1894)

Posted in History, Poetry & Literature

Ring out, Wild Bells

Ring out, wild bells, to the wild sky,
The flying cloud, the frosty light;
The year is dying in the night;
Ring out, wild bells, and let him die.

Ring out the old, ring in the new,
Ring, happy bells, across the snow:
The year is going, let him go;
Ring out the false, ring in the true.
Ring out the grief that saps the mind,
For those that here we see no more,
Ring out the feud of rich and poor,
Ring in redress to all mankind.
Ring out a slowly dying cause,
And ancient forms of party strife;
Ring in the nobler modes of life,
With sweeter manners, purer laws.
Ring out the want, the care the sin,
The faithless coldness of the times;
Ring out, ring out my mournful rhymes,
But ring the fuller minstrel in.

Ring out false pride in place and blood,
The civic slander and the spite;
Ring in the love of truth and right,
Ring in the common love of good.

Ring out old shapes of foul disease,
Ring out the narrowing lust of gold;
Ring out the thousand wars of old,
Ring in the thousand years of peace.

Ring in the valiant man and free,
The larger heart, the kindlier hand;
Ring out the darkness of the land,
Ring in the Christ that is to be.

–Lord Alfred Tennyson (1809-1892)

Posted in Christmas, Poetry & Literature

Simon Critchley–The Freedom of Faith: A Christmas Sermon

In an essay in The Times’ Sunday Book Review this week the writer Paul Elie asks the intriguing question: Has fiction lost its faith? As we are gathered here today, let us consider one of the most oddly faithful of all fiction writers, Fyodor Dostoevsky. More specifically, I’d like focus pretty intensely on what some consider to be the key moment in his greatest novel — arguably one of the greatest of all time — “The Brothers Karamazov.” (Elie himself notes the 1880 masterpiece as an example of the truly faith-engaged fiction of yore.) I speak in particular of the “Grand Inquisitor” scene, a sort of fiction within a fiction that draws on something powerful from the New Testament — Jesus’s refusal of Satan’s three temptations — and in doing so digs at the meaning of faith, freedom, happiness and the diabolic satisfaction of our desires.

Read it all. Be warned–this is not short and it is not light bed-time reading; it is, however, well worth the time–KSH.

Posted in Christmas, Poetry & Literature, Theodicy

GK Chesterton–A Child of the Snows

The gods lie dead where the leaves lie red,
For the flame of the sun is flown,
The gods lie cold where the leaves lie gold,
And a Child comes forth alone.

Read it all.

Posted in Christmas, Poetry & Literature

Christus Natus Est

In Bethlehem
On Christmas Morn
The lowly gem
Of love was born
Hosannah! Christus natus est.

Bright in her crown
Of fiery star
Judea’s town
Shone from afar
Hosannah! Christus natus est.

For bird and beast
He did not come
But for the least
Of mortal scum
Hosannah! Christus natus est.

While beasts in stall
On bended knee
Did carol all
Most joyously
Hosannah! Christus natus est.
Who lies in ditch?
Who begs his bread
Who has no stitch
For back or head
Hosannah! Christus natus est.

Who wakes to weep,
Lies down to mourn?
Who in his sleep
Withdraws from scorn?
Hosannah! Christus natus est.

Ye outraged dust
On field and plain
To feed the lust
Of madmen slain
Hosannah! Christus natus est.

The manger still
Outshines the throne
Christ must and will
Come to his own
Hosannah! Christus natus est.

–Countee Cullen (1903-1946)

Posted in Christmas, Poetry & Literature

W.H. Auden’s Christmas Oratorio

The holly and the mistletoe must be taken down and burnt,
And the children got ready for school. There are enough
Left-overs to do, warmed-up, for the rest of the week —
Not that we have much appetite, having drunk such a lot,
Stayed up so late, attempted — quite unsuccessfully —
To love all of our relatives, and in general
Grossly overestimated our powers. Once again
As in previous years we have seen the actual Vision and failed
To do more than entertain it as an agreeable
Possibility, once again we have sent Him away,
Begging though to remain His disobedient servant,
The promising child who cannot keep His word for long.

The Christmas Feast is already a fading memory,
And already the mind begins to be vaguely aware
Of an unpleasant whiff of apprehension at the thought
Of Lent and Good Friday which cannot, after all, now
Be very far off.

Read it all (my emphasis).

Posted in Christmas, Poetry & Literature

TS Eliot for Christmas–A moment in time and of time

Then came, at a predetermined moment, a moment in time
and of time,
A moment not out of time, but in time, in what we call history:
transecting, bisecting the world of time,
a moment in time but not like a moment of time,
A moment in time but time was made through that moment:
for without the meaning there is no time,
and that moment of time gave the meaning.

—T.S. Eliot, Choruses from “The Rock”, VII, as found for example there (page 107).

Posted in Christmas, Poetry & Literature

The Christ-child

The Christ-child lay on Mary’s lap,
His hair was like a light.
(O weary, weary is the world,
But here is all aright.)

The Christ-child lay on Mary’s breast,
His hair was like a star.
(O stern and cunning are the kings,
But here the true hearts are.)

The Christ-child lay on Mary’s heart,
His hair was like a fire.
(O weary, weary is the world,
But here the world’s desire.)

The Christ-child stood at Mary’s knee,
His hair was like a crown.
And all the flowers looked up at Him,
And all the stars looked down.

–G.K. Chesterton (1874-1936)

Posted in Christmas, Poetry & Literature