HOW life and death in Thee
Agree !
Thou hadst a virgin womb
And tomb.
A Joseph did betroth
Them both.

–Richard Crashaw (1613-1649)

In evil long I took delight,
Unawed by shame or fear,
Till a new object struck my sight,
And stopp’d my wild career:
I saw One hanging on a Tree
In agonies and blood,
Who fix’d His languid eyes on me.
As near His Cross I stood.

Sure never till my latest breath,
Can I forget that look:
It seem’d to charge me with His death,
Though not a word He spoke:
My conscience felt and own’d the guilt,
And plunged me in despair:
I saw my sins His Blood had spilt,
And help’d to nail Him there.
Alas! I knew not what I did!
But now my tears are vain:
Where shall my trembling soul be hid?
For I the Lord have slain!

A second look He gave, which said,
“I freely all forgive;
This blood is for thy ransom paid;
I die that thou may’st live.”

Thus, while His death my sin displays
In all its blackest hue,
Such is the mystery of grace,
It seals my pardon too.
With pleasing grief, and mournful joy,
My spirit now if fill’d,
That I should such a life destroy,
Yet live by Him I kill’d!

–John Newton (1725-1807)

The Crucifixion, by Giotto, c. 1300. #GoodFriday pic.twitter.com/H8WyDRqQZ7

— Mandy the Mollusc (@69quietgirl) April 14, 2017

O My chief good,
How shall I measure out thy bloud?
How shall I count what thee befell,
And each grief tell?

Shall I thy woes
Number according to thy foes?
Or, since one starre show’d thy first breath,
Shall all thy death?

Or shall each leaf,
Which falls in Autumn, score a grief?
Or can not leaves, but fruit, be signe
Of the true vine?

Then let each houre
Of my whole life one grief devoure;
That thy distresse through all may runne,
And be my sunne.
Or rather let
My severall sinnes their sorrows get;
That as each beast his cure doth know,
Each sinne may so.

Since bloud is fittest, Lord, to write
Thy sorrows in, and bloudie fight;
My heart hath store, write there, where in
One box doth lie both ink and sinne:

That when sinne spies so many foes,
Thy whips, thy nails, thy wounds, thy woes,
All come to lodge there, sinne may say,
No room for me, and flie away.

Sinne being gone, oh fill the place,
And keep possession with thy grace;
Lest sinne take courage and return,
And all the writings blot or burn.

–George Herbert (1593-1633)

St. Peter once: ”˜Lord, dost thou wash my feet?’””
Much more I say: Lord, dost thou stand and knock
At my closed heart more rugged than a rock,
Bolted and barred, for thy soft touch unmeet,
Nor garnished nor in any wise made sweet?
Owls roost within and dancing satyrs mock.
Lord, I have heard the crowing of the cock
And have not wept: ah, Lord, though knowest it,
Yet still I hear thee knocking, still I hear:
”˜Open to me, look on me eye to eye,
That I may wring thy heart and make it whole;
And teach thee love because I hold thee dear
And sup with thee in gladness soul with soul,
And sup with thee in glory by and by.’

–Christina Rossetti (1830-1894)

Batter my heart, three-person’d God, for you
As yet but knock, breathe, shine, and seek to mend;
That I may rise and stand, o’erthrow me, and bend
Your force to break, blow, burn, and make me new.
I, like an usurp’d town to’another due,
Labor to’admit you, but oh, to no end;
Reason, your viceroy in me, me should defend,
But is captiv’d, and proves weak or untrue.
Yet dearly’I love you, and would be lov’d fain,
But am betroth’d unto your enemy;
Divorce me,’untie or break that knot again,
Take me to you, imprison me, for I,
Except you’enthrall me, never shall be free,
Nor ever chaste, except you ravish me.

–Holy Sonnet XIV

The angel has already said, Be not afraid.
He’s said, The power of the Most High
will darken you. Her eyes are downcast and half closed.
And there’s a long pause — a pause here of forever —
as the angel crowds her. She backs away,
her left side pressed against the picture frame.

Read it all.

The Annunciation of our Lord

"For Mary, Mother of the Lord, God's holy name be praised, who first the Son of God adored as on her child she gazed".

(The Annunciation, Filippo Lippi, c.1440, Tempera on Panel, Basilica of San Lorenzo, Florence). pic.twitter.com/k9806vXGI7

— The Roman Anglican (@RomanAnglican) April 9, 2018

Among the many recoveries manifested in Silver’s subtle arguments, the very heart of her matter in this collection is an insistent recovery of common life. The speaker””ostensibly identified with the poet herself””admits to her own bodily sufferings, but a good many of these poems speak to and of the bodily sufferings of others. Employing classical and historical allusion as well as references to friends and family, Silver articulates in no uncertain terms an emphatic empathy that recovers for us what it means to be a person in the image of a triune God. Each of our lives partakes of every other.

I am reminded here of that very strange passage in Paul’s letter to the Colossians wherein the apostle claims to rejoice in his own sufferings, adding that he “fill[s] up in my flesh what is lacking of the afflictions of Christ on behalf of his body, which is the church” (Col. 1:24). As I have observed elsewhere, instead of “what is lacking,” a more likely translation of isterimata might be “what is yet to be done.”

Silver grapples with an array of difficult human experiences to bring back into view the absolute interconnectivity of persons, and she presents the compelling proposition that what is yet to be done is our bravely accepting the cost of bearing one another’s afflictions, of becoming one. May it be blessed.

Read it all (emphasis mine).

But a closer look reveals a more complicated scene. If I may quote myself once more,

The gifts the magi present to Jesus are, at one level, what we would have expected. The gold is a fitting sign of kingship. The incense attests, however obliquely, to Jesus’ deity (incense being used in the Old Testament for the worship of Israel’s God). But the myrrh foreshadows a funeral. The myrrh casts a shadow over the other two gifts, forcing us to ask whether the kingship and deity of Jesus will somehow culminate in tragedy. Myrrh, as the jaunty Christmas carol puts it, is a “bitter perfume”; it “breathes a life of gathering gloom; / Sorrowing, sighing, bleeding, dying, / Sealed in the stone-cold tomb.” Or, as T.S. Eliot’s great poem “The Journey of the Magi” has it, when the wise men crest the hills of Judea and make their way toward Bethlehem, what they see is “three trees on the low sky.”

This is the ultimate unpredictability and irregularity of Epiphany. It is a feast day, and we are celebrating the appearance of Jesus the king of the Jews to all the nations of the world. And yet it is a strange feast, a poignant one, in which we can already smell the acrid odor of a corpse. It’s important, I think, to bear this strange Christological concertina wire of reconfigured chronology in mind when we observe ”” and teach others to observe ”” the Christian calendar, so that we don’t forget where the narrative’s real center lies. The church year has the hallmark of every good story: a beginning, a middle, and an end. But the more you inhabit it, the more you realize that its end is given in its beginning: There is no Christ anywhere in the Christian year who is not already “the Lamb that was slaughtered from the foundation of the world” (Rev. 13:8), and that, ultimately, is the mystery the calendar invites us to plumb.

Read it all.

The Adoration of the Magi by Edward Burne-Jones pic.twitter.com/EJm7nJQ67f

— Elizabeth Speller (@lizziespeller) January 6, 2017

Come to your heaven, you heavenly quires!
Earth hath the heaven of your desires;
Remove your dwelling to your God,
A stall is now His best abode;
Sith men their homage do deny,
Come, angels, all their faults supply.

His chilling cold doth heat require,
Come, seraphim, in lieu of fire;
This little ark no cover hath,
Let cherubs’ wings his body swathe;
Come, Raphael, this babe must eat,
Provide our little Toby meat.

Let Gabriel be now His groom,
That first took up His earthly room;
Let Michael stand in His defence,
Whom love hath link’d to feeble sense;
Let graces rock when He doth cry,
And angels sing this lullaby.
he same you saw in heavenly seat,
Is He that now sucks Mary’s teat;
Agnize your King a mortal wight,
His borrow’d weed lets not your sight;
Come, kiss the manger where He lies;
That is your bliss above the skies.

This little babe so few days old,
Is come to rifle Satan’s fold;
All hell doth at His presence quake,
Though He Himself for cold do shake;
For in this weak unarmèd wise
The gates of hell He will surprise.

With tears He fights and wins the field,
His naked breast stands for a shield,
His battering shot are babish cries,
His arrows, looks of weeping eyes,
His martial ensigns, cold and need,
And feeble flesh His warrior’s steed.

His camp is pitchèd in a stall,
His bulwark but a broken wall,
The crib His trench, hay-stalks His stakes,
Of shepherds He His muster makes;
And thus, as sure His foe to wound,
The angels’ trumps alarum sound.

My soul, with Christ join thou in fight;
Stick to the tents that He hath pight;
Within His crib is surest ward,
This little babe will be thy guard;
If thou wilt foil thy foes with joy,
Then flit not from this heavenly boy.

–Robert Southwell

CHORUS

Come we shepherds whose blest sight
Hath met love’s noon in nature’s night;
Come lift we up our loftier song
And wake the sun that lies too long.

To all our world of well-stol’n joy
He slept, and dreamt of no such thing,
While we found out heav’n’s fairer eye,
And kiss’d the cradle of our King.
Tell him he rises now too late
To show us aught worth looking at.

Tell him we now can show him more
Than he e’er show’d to mortal sight,
Than he himself e’er saw before,
Which to be seen needs not his light.
Tell him, Tityrus, where th’ hast been;
Tell him, Thyrsis, what th’ hast seen.
TITYRUS

Gloomy night embrac’d the place
Where the Noble Infant lay;
The Babe look’d up and show’d his face,
In spite of darkness, it was day.
It was thy day, Sweet! and did rise
Not from the east, but from thine eyes.
CHORUS

It was thy day, Sweet! and did rise
Not from the east, but from thine eyes.
THYRSIS

Winter chid aloud, and sent
The angry North to wage his wars;
The North forgot his fierce intent,
And left perfumes instead of scars.
By those sweet eyes’ persuasive pow’rs,
Where he meant frost, he scatter’d flow’rs.
CHORUS

By those sweet eyes’ persuasive pow’rs,
Where he meant frost, he scatter’d flow’rs.
BOTH

We saw thee in thy balmy nest,
Young dawn of our eternal day!
We saw thine eyes break from their east
And chase the trembling shades away.
We saw thee, and we bless’d the sight,
We saw thee by thine own sweet light.
TITYRUS

Poor World, said I, what wilt thou do
To entertain this starry stranger?
Is this the best thou canst bestow,
A cold, and not too cleanly, manger?
Contend, ye powers of heav’n and earth,
To fit a bed for this huge birth.
CHORUS

Contend, ye powers of heav’n and earth,
To fit a bed for this huge birth.
THYRSIS

Proud World, said I, cease your contest,
And let the Mighty Babe alone;
The ph{oe}nix builds the ph{oe}nix’ nest,
Love’s architecture is his own;
The Babe whose birth embraves this morn,
Made his own bed ere he was born.
CHORUS

The Babe whose birth embraves this morn,
Made his own bed ere he was born.
TITYRUS

I saw the curl’d drops, soft and slow,
Come hovering o’er the place’s head,
Off’ring their whitest sheets of snow
To furnish the fair Infant’s bed.
Forbear, said I, be not too bold;
Your fleece is white, but ’tis too cold.
CHORUS

Forbear, said I, be not too bold;
Your fleece is white, but ’tis too cold.
THYRSIS

I saw the obsequious Seraphims
Their rosy fleece of fire bestow;
For well they now can spare their wings,
Since Heav’n itself lies here below.
Well done, said I, but are you sure
Your down so warm will pass for pure?
CHORUS

Well done, said I, but are you sure
Your down so warm will pass for pure?
TITYRUS

No no, your King’s not yet to seek
Where to repose his royal head;
See see, how soon his new-bloom’d cheek
‘Twixt’s mother’s breasts is gone to bed.
Sweet choice, said we! no way but so,
Not to lie cold, yet sleep in snow.
CHORUS

Sweet choice, said we! no way but so,
Not to lie cold, yet sleep in snow.
BOTH

We saw thee in thy balmy nest,
Bright dawn of our eternal day!
We saw thine eyes break from their east,
And chase the trembling shades away.
We saw thee, and we bless’d the sight,
We saw thee, by thine own sweet light.
CHORUS

We saw thee, and we bless’d the sight,
We saw thee, by thine own sweet light.
FULL CHORUS

Welcome, all wonders in one sight!
Eternity shut in a span;
Summer in winter; day in night;
Heaven in earth, and God in man.
Great little one, whose all-embracing birth
Lifts earth to heaven, stoops heav’n to earth.

Welcome; though nor to gold nor silk,
To more than C{ae}sar’s birthright is;
Two sister seas of virgin-milk,
With many a rarely temper’d kiss,
That breathes at once both maid and mother,
Warms in the one, cools in the other.

Welcome, though not to those gay flies
Gilded i’ th’ beams of earthly kings,
Slippery souls in smiling eyes;
But to poor shepherds, homespun things,
Whose wealth’s their flock, whose wit, to be
Well read in their simplicity.

Yet when young April’s husband-show’rs
Shall bless the fruitful Maia’s bed,
We’ll bring the first-born of her flow’rs
To kiss thy feet and crown thy head.
To thee, dread Lamb! whose love must keep
The shepherds more than they the sheep.

To thee, meek Majesty! soft King
Of simple graces and sweet loves,
Each of us his lamb will bring,
Each his pair of silver doves;
Till burnt at last in fire of thy fair eyes,
Ourselves become our own best sacrifice.

–Richard Crashaw (1613-1649)

(It is very difficult to set the stage for this scene, but some background will be helpful. Rayber is one of the novel’s central characters and is strongly anti-Christian. He is looking as hard as he can for his nephew, Francis Tarwater, who has run away. This has led him to a small church service, likely a revival meeting, and he is watching what is occurring through a window. Rayber is unable to hear in one ear and in the other he wears a hearing device which sometimes vexes him. The “old man” is a reference to another key character in the novel, Mason Tarwater, whose death and desired burial form an important early part of the book. There is also a mention of Bishop who is Rayber’s son and who appears to have Down’s syndrome).

. . . A little girl hobbled into the spotlight.

Rayber cringed. Simply by the sight of her he could tell that she was not a fraud, that she was only exploited. She was eleven or twelve with a small delicate face and a head of black hair that looked too thick and heavy for a frail child to support. A cape like her mother’s was turned back over one shoulder and her skirt was short as if better to reveal the thin legs twisted from the knees. She held her arms over her head for a moment. “I want to tell you people the story of the world,” she said in a loud high child’s voice. “I want to tell you why Jesus came and what happened to Him. I want to tell you how He’ll come again. I want to tell you to be ready. Most of all,” she said, “I want to tell you to be ready so that on the last day you’ll rise in the glory of the Lord.”
Rayber’s fury encompassed the parents, the preacher, all the idiots he could not see who were sitting in front of the child, parties to her degradation. She believed it, she was locked tight in it, chained hand and foot, exactly as he had been, exactly as only a child could be. He felt the taste of his own childhood pain laid again on his tongue like a bitter wafer.

“Do you know who Jesus is?” she cried. “Jesus is the word of God and Jesus is love. The Word of God is love and do you know what love is, you people? If you don’t know what love is you won’t know Jesus when He comes. You won’t be ready. I want to tell you people the story of the world, how it never known when love come, so when love comes again, you’ll be ready.”

She moved back and forth across the stage, frowning as if she were trying to see the people through the fierce circle of light that followed her. “Listen to me, you people,” she said, “God was angry with the world because it always wanted more. It wanted as much as God had and it didn’t know what God had but it wanted it and more. It wanted God’s own breath, it wanted His very Word and God said, ‘I’ll make my Word Jesus, I’ll give them my Word for a king, I’ll give them my very breath for theirs.’

“Listen, you people,” she said and flung her arms wide, “God told the world He was going to send it a king and the world waited. The world thought, a golden fleece will do for His bed. Silver and gold and peacock tails, a thousand suns in a peacock’s tail will do for His sash. His mother will ride on a four-horned white beast and use the sunset for a cape. She’ll trail it behind her over the ground and let the world pull it to pieces, a new one every evening.”

To Rayber she was like one of those birds blinded to make it sing more sweetly. Her voice had the tone of a glass bell. His pity encompassed all exploited children–himself when he was a child, Tarwater exploited by the old man, this child exploited by parents, Bishop exploited by the very fact that he was alive.

“The world said, ‘How long, Lord, do we have to wait for this?’ And the Lord said, ‘My Word is coming, my Word is coming from the house of David, the king.'” She paused and turned her head to the side, away from the fierce light. Her dark gaze moved slowly until it rested on Rayber’s head in the window. He stared back at her. Her eyes remained on his face for a moment. A deep shock went through him. He was certain that the child had looked directly into his heart and seen his pity. He felt that some mysterious connection was established between them.

“‘My Word is coming,'” she said, turning back to face the glare, “‘my Word is coming from the house of David, the king.'”

“Listen you people!” she cried, “the world knew in its heart, the same as you know in your hearts and I know in my heart. The world said, ‘Love cuts like the cold wind and the will of God is plain as the winter. Where is the summer will of God? Where are the green seasons of God’s will? Where is the spring and summer of God’s will?’

“They had to flee into Egypt,” she said in a low voice and turned her head again and this time her eyes moved directly to Rayber’s face in the window and he knew they sought it. He felt himself caught up in her look, held there before the judgment seat of her eyes.

“You and I know,” she said turning again, “what the world hoped then. The world hoped old Herod would slay the right child, the world hoped old Herod wouldn’t waste those children, but he wasted them. He didn’t get the right one. Jesus grew up and raised the dead.”

Rayber felt his spirit borne aloft. But not those dead! he cried, not the innocent children, not you, not me when I was a child, not Bishop, not Frank! and he had a vision of himself moving like an avenging angel through the world, gathering up all the children that the Lord, not Herod, had slain.

“Jesus grew up and raised the dead,” she cried, “and the world shouted, ‘Leave the dead lie. The dead are dead and can stay that way. What do we want with the dead alive?’ Oh you people!” she shouted, “they nailed Him to a cross and run a spear through His side and then they said, ‘Now we can have some peace, now we can ease our minds.’ And they hadn’t but only said it when they wanted Him to come again. Their eyes were opened and they saw the glory they had killed.

“Listen world,” she cried, flinging up her arms so that the cape flew out behind her, “Jesus is coming again! The mountains are going to lie down like hounds at His feet, the stars are going to perch on His shoulder and when He calls it, the sun is going to fall like a goose for His feast. Will you know the Lord Jesus then? The mountains will know Him and bound forward, the stars will light on His head, the sun will drop down at His feet, but will you know the Lord Jesus then?”

Rayber saw himself fleeing with the child to some enclosed garden where he would teach her the truth, where he would gather all the exploited children of the world and let the sunshine flood their minds.

“If you don’t know Him now, you won’t know Him then. Listen to me, world, listen to this warning. The Holy Word is in my mouth!

“The Holy Word is in my mouth!” she cried and turned her eyes again on his face in the window. This time there was a lowering concentration in her gaze. He had drawn her attention entirely away from the congregation.

Come away with me! he silently implored, and I’ll teach you the truth, I’ll save you, beautiful child!

Her eyes still fixed on him, she cried, “I’ve seen the Lord in a tree of fire! The Word of God is a burning Word to burn you clean!” She was moving in his direction, the people in front of her forgotten. Rayber’s heart began to race. He felt some miraculous communication between them. The child alone in the world was meant to understand him. “Burns the whole world, man and child,” she cried, her eye on him, “none can escape.” She stopped a little distance from the end of the stage and stood silent, her whole attention directed across the small room to his face on the ledge. Her eyes were large and dark and fierce. He felt that in the space between them, their spirits had broken the bonds of age and ignorance and were mingling in some unheard of knowledge of each other. He was transfixed by the child’s silence. Suddenly she raised her arm and pointed toward his face. “Listen you people,” she shrieked, “I see a damned soul before my eyes! I see a dead man Jesus hasn’t raised. His head is in the window but his ear is deaf to the Holy Word!”

Rayber’s head, as if it had been struck by an invisible bolt, dropped from the ledge. He crouched on the ground, his furious spectacled eyes glittering behind the shrubbery. Inside she continued to shriek, “Are you deaf to the Lord’s Word? The Word of God is a burning Word to burn you clean, burns man and child, man and child the same, you people! Be saved in the Lord’s fire or perish in your own! Be saved in . . .”

He was groping fiercely about him, slapping at his coat pockets, his head, his chest, not able to find the switch that would cut off the voice. Then his hand touched the button and he snapped it. A silent dark relief enclosed him like shelter after a tormenting wind.

—The Violent Bear It Away (New York: Farrar, Straus and Giroux, 1960), pp.129-132 [my emphasis]

[1] The irresponsive silence of the land,
The irresponsive sounding of the sea,
Speak both one message of one sense to me: ””
Aloof, aloof, we stand aloof, so stand
Thou too aloof bound with the flawless band
Of inner solitude; we bind not thee;
But who from thy self””chain shall set thee free?
What heart shall touch thy heart? what hand thy hand?””
And I am sometimes proud and sometimes meek,
And sometimes I remember days of old
When fellowship seemed not so far to seek
And all the world and I seemed much less cold,
And at the rainbow’s foot lay surely gold,
And hope felt strong and life itself not weak.
[2] Thus am I mine own prison. Everything
Around me free and sunny and at ease:
Or if in shadow, in a shade of trees
Which the sun kisses, where the gay birds sing
And where all winds make various murmuring;
Where bees are found, with honey for the bees;
Where sounds are music, and where silences
Are music of an unlike fashioning.
Then gaze I at the merrymaking crew,
And smile a moment and a moment sigh
Thinking: Why can I not rejoice with you ?
But soon I put the foolish fancy by:
I am not what I have nor what I do;
But what I was I am, I am even I.

[3]Therefore myself is that one only thing
I hold to use or waste, to keep or give;
My sole possession every day I live,
And still mine own despite Time’s winnowing.
Ever mine own, while moons and seasons bring
From crudeness ripeness mellow and sanative;
Ever mine own, till Death shall ply his sieve;
And still mine own, when saints break grave and sing.
And this myself as king unto my King
I give, to Him Who gave Himself for me;
Who gives Himself to me, and bids me sing
A sweet new song of His redeemed set free;
He bids me sing: O death, where is thy sting?
And sing: O grave, where is thy victory?

–Christina Rossetti (1830-1894)

so this is the sound of you
here and now whether or not
anyone hears it this is
where we have come with our age
our knowledge such as it is
and our hopes such as they are

Read it all.

I heard the bells on Christmas Day
Their old, familiar carols play,
And wild and sweet
The words repeat
Of peace on earth, good-will to men!

And thought how, as the day had come,
The belfries of all Christendom
Had rolled along
The unbroken song
Of peace on earth, good-will to men!

Till ringing, singing on its way,
The world revolved from night to day,
A voice, a chime,
A chant sublime
Of peace on earth, good-will to men!
Then from each black, accursed mouth
The cannon thundered in the South,
And with the sound
The carols drowned
Of peace on earth, good-will to men!

It was as if an earthquake rent
The hearth-stones of a continent,
And made forlorn
The households born
Of peace on earth, good-will to men!

And in despair I bowed my head;
“There is no peace on earth,” I said;
“For hate is strong,
And mocks the song
Of peace on earth, good-will to men!”

Then pealed the bells more loud and deep:
“God is not dead, nor doth He sleep;
The Wrong shall fail,
The Right prevail,
With peace on earth, good-will to men.”

–Henry Wadsworth Longfellow (1807-1882)

Ring out, wild bells, to the wild sky,
The flying cloud, the frosty light;
The year is dying in the night;
Ring out, wild bells, and let him die.

Ring out the old, ring in the new,
Ring, happy bells, across the snow:
The year is going, let him go;
Ring out the false, ring in the true.
Ring out the grief that saps the mind,
For those that here we see no more,
Ring out the feud of rich and poor,
Ring in redress to all mankind.
Ring out a slowly dying cause,
And ancient forms of party strife;
Ring in the nobler modes of life,
With sweeter manners, purer laws.
Ring out the want, the care the sin,
The faithless coldness of the times;
Ring out, ring out my mournful rhymes,
But ring the fuller minstrel in.

Ring out false pride in place and blood,
The civic slander and the spite;
Ring in the love of truth and right,
Ring in the common love of good.

Ring out old shapes of foul disease,
Ring out the narrowing lust of gold;
Ring out the thousand wars of old,
Ring in the thousand years of peace.

Ring in the valiant man and free,
The larger heart, the kindlier hand;
Ring out the darkness of the land,
Ring in the Christ that is to be.

–Lord Alfred Tennyson (1809-1892)

Here is a man who was born in an obscure village, the child of a peasant woman. He grew up in another obscure village, where He worked in a carpenter shop until He was thirty, and then for three years He was an itinerant preacher. He never wrote a book. He never held an office. He never owned a home. He never had a family. He never went to college. He never put his foot inside a big city. He never traveled two hundred miles from the place where He was born. He never did one of the things that usually accompany greatness.
He had no credentials but Himself. He had nothing to do with this world except the naked power of His divine manhood. While still a young man, the tide of public opinion turned against Him. His friends ran away. One of them denied Him. He was turned over to His enemies. He went through the mockery of a trial. He was nailed to a cross between two thieves. His executioners gambled for the only piece of property He had on earth while He was dying””and that was his coat. When he was dead He was taken down and laid in a borrowed grave through the pity of a friend. Nineteen wide centuries have come and gone and today He is the centerpiece of the human race and the leader of the column of progress. I am far within the mark when I say that all the armies that ever marched, and all the navies that ever were built, and all the parliaments that ever sat, all the kings that ever reigned, put together have not affected the life of man upon this earth as powerfully as has that One Solitary Life.

–James Allan Francis (1864–1928) from a sermon preached on July 11, 1926 (for anyone who took the time to listen this was quoted in Jeffrey Miller’s Christmas sermon posted earlier–KSH)

Listen to and ponder it all.

The holly and the mistletoe must be taken down and burnt,
And the children got ready for school. There are enough
Left-overs to do, warmed-up, for the rest of the week —
Not that we have much appetite, having drunk such a lot,
Stayed up so late, attempted — quite unsuccessfully —
To love all of our relatives, and in general
Grossly overestimated our powers. Once again
As in previous years we have seen the actual Vision and failed
To do more than entertain it as an agreeable
Possibility, once again we have sent Him away,
Begging though to remain His disobedient servant,
The promising child who cannot keep His word for long.
The Christmas Feast is already a fading memory,
And already the mind begins to be vaguely aware
Of an unpleasant whiff of apprehension at the thought
Of Lent and Good Friday which cannot, after all, now
Be very far off.

Read it all (my emphasis).

Ah, dearest Jesus, holy Child,
Make thee a bed, soft, undefiled,
Within my heart, that it may be
A quiet chamber kept for Thee.
My heart for very joy doth leap,
My lips no more can silence keep,
I too must sing, with joyful tongue,
That sweetest ancient cradle song,
Glory to God in highest heaven,
Who unto man His Son hath given
While angels sing with pious mirth.
A glad new year to all the earth.

–Martin Luther (1483-1546)

Behold the father is his daughter’s son,
The bird that built the nest is hatched therein,
The old of years an hour hath not outrun,
Eternal life to live doth now begin,
The Word is dumb, the mirth of heaven doth weep,
Might feeble is, and force doth faintly creep.
O dying souls, behold your living spring;
O dazzled eyes, behold your sun of grace;
Dull ears, attend what word this Word doth bring;
Up, heavy hearts, with joy your joy embrace.
From death, from dark, from deafness, from despairs
This life, this light, this Word, this joy repairs.
Gift better than himself God doth not know;
Gift better than his God no man can see.
This gift doth here the giver given bestow;
Gift to this gift let each receiver be.
God is my gift, himself he freely gave me;
God’s gift am I, and none but God shall have me.

Man altered was by sin from man to beast;
Beast’s food is hay, hay is all mortal flesh.
Now God is flesh and lies in manger pressed
As hay, the brutest sinner to refresh.
O happy field wherein that fodder grew,
Whose taste doth us from beasts to men renew.

—-Robert Southwell (1561-1595)

I saw a stable, low and very bare,
A little child in a manger.
The oxen knew him, had Him in their care,
To men He was a stranger.
The safety of the world was lying there,
And the world’s danger.

–Mary Coleridge (1861-1907)

Now the man to whom I’m going to introduce you was not a scrooge, he was a kind, decent, mostly good man. Generous to his family, upright in his dealings with other men. But he just didn’t believe all that incarnation stuff which the churches proclaim at Christmas Time. It just didn’t make sense and he was too honest to pretend otherwise. He just couldn’t swallow the Jesus Story, about God coming to Earth as a man. “I’m truly sorry to distress you,” he told his wife, “but I’m not going with you to church this Christmas Eve.” He said he’d feel like a hypocrite. That he’d much rather just stay at home, but that he would wait up for them. And so he stayed and they went to the midnight service.

Shortly after the family drove away in the car, snow began to fall. He went to the window to watch the flurries getting heavier and heavier and then went back to his fireside chair and began to read his newspaper. Minutes later he was startled by a thudding sound. Then another, and then another. Sort of a thump or a thud. At first he thought someone must be throwing snowballs against his living room window. But when he went to the front door to investigate he found a flock of birds huddled miserably in the snow. They’d been caught in the storm and, in a desperate search for shelter, had tried to fly through his large landscape window.
Well, he couldn’t let the poor creatures lie there and freeze, so he remembered the barn where his children stabled their pony. That would provide a warm shelter, if he could direct the birds to it. Quickly he put on a coat, galoshes, tramped through the deepening snow to the barn. He opened the doors wide and turned on a light, but the birds did not come in. He figured food would entice them in. So he hurried back to the house, fetched bread crumbs, sprinkled them on the snow, making a trail to the yellow-lighted wide open doorway of the stable. But to his dismay, the birds ignored the bread crumbs, and continued to flap around helplessly in the snow. He tried catching them. He tried shooing them into the barn by walking around them waving his arms. Instead, they scattered in every direction, except into the warm, lighted barn.

And then, he realized, that they were afraid of him. To them, he reasoned, I am a strange and terrifying creature. If only I could think of some way to let them know that they can trust me. That I am not trying to hurt them, but to help them. But how? Because any move he made tended to frighten them, confuse them. They just would not follow. They would not be led or shooed because they feared him. “If only I could be a bird,” he thought to himself, “and mingle with them and speak their language. Then I could tell them not to be afraid. Then I could show them the way to safety … to the safe warm barn. But I would have to be one of them so they could see, and hear and understand.”

At that moment the church bells began to ring. The sound reached his ears above the sounds of the wind. And he stood there listening to the bells – Adeste Fidelis – listening to the bells pealing the glad tidings of Christmas. And he sank to his knees in the snow.

According to a knowledgeable blog commenter in the past, “This was written by the author, Louis Cassels. According to enotes.com, he was a “correspondent for United Press International. He was a feature writer and author of the popular column “Religion in America” from 1955 to 1974. He was also a recipient of the prestigious Faith and Freedom Award from the Religious Heritage of America.”

In Bethlehem
On Christmas Morn
The lowly gem
Of love was born
Hosannah! Christus natus est.

Bright in her crown
Of fiery star
Judea’s town
Shone from afar
Hosannah! Christus natus est.

For bird and beast
He did not come
But for the least
Of mortal scum
Hosannah! Christus natus est.

While beasts in stall
On bended knee
Did carol all
Most joyously
Hosannah! Christus natus est.
Who lies in ditch?
Who begs his bread
Who has no stitch
For back or head
Hosannah! Christus natus est.

Who wakes to weep,
Lies down to mourn?
Who in his sleep
Withdraws from scorn?
Hosannah! Christus natus est.

Ye outraged dust
On field and plain
To feed the lust
Of madmen slain
Hosannah! Christus natus est.

The manger still
Outshines the throne
Christ must and will
Come to his own
Hosannah! Christus natus est.

–Countee Cullen (1903-1946)

Moonless darkness stands between.
Past, the Past, no more be seen!
But the Bethlehem-star may lead me
To the sight of Him Who freed me
From the self that I have been.
Make me pure, Lord: Thou art holy;
Make me meek, Lord: Thou wert lowly;
Now beginning, and alway:
Now begin, on Christmas day.

On Christmas day I weep
Good Friday to rejoice.
I watch the Child asleep.
Does he half-dream the choice
The Man must make and keep?
At Christmastime I sigh
For my good Friday hope
Outflung the Child’s arms lie
To span in their brief scope
The death the Man must die.
Come Christmastide I groan
To hear Good Friday’s pealing.
The Man, racked to the bone,
Has made His hurt my healing,
Has made my ache His own.
Slay me, pierced to the core
With Christmas penitence
So I who, new-born, soar
To that Child’s innocence,
May wound the Man no more.

–Vassar Miller (1924-1998)

She was five,
sure of the facts,
and recited them
with slow solemnity
convinced every word
was revelation.

She said
they were so poor
they had only peanut butter and jelly sandwiches
to eat
and they went a long way from home
without getting lost. The lady rode
a donkey, the man walked, and the baby
was inside the lady.
They had to stay in a stable
with an ox and an ass (hee-hee)
but the Three Rich Men found them
because a star lited the roof.
Shepherds came and you could
pet the sheep but not feed them.
Then the baby was borned.
And do you know who he was?
Her quarter eyes inflated
to silver dollars.
The baby was God.

And she jumped in the air
whirled around, dove into the sofa
and buried her head under the cushion
which is the only proper response
to the Good News of the Incarnation.

”“ John Shea, The Hour of the Unexpected

Twas much,
that man was
made like God before,
But that God should
be like man
much more

–John Donne (1572-1631)

The Christ-child lay on Mary’s lap,
His hair was like a light.
(O weary, weary is the world,
But here is all aright.)

The Christ-child lay on Mary’s breast,
His hair was like a star.
(O stern and cunning are the kings,
But here the true hearts are.)

The Christ-child lay on Mary’s heart,
His hair was like a fire.
(O weary, weary is the world,
But here the world’s desire.)

The Christ-child stood at Mary’s knee,
His hair was like a crown.
And all the flowers looked up at Him,
And all the stars looked down.

–G.K. Chesterton (1874-1936)

For many NPR fans, Billy Collins needs no introduction. The former Poet Laureate is widely acknowledged as America’s most popular poet, regularly popping up on national best-seller lists (terra incognita for most poets, even beloved ones).

Public radio fans might know him best from his frequent appearances on A Prairie Home Companion … or may remember his lack of Phil Collins know-how, as displayed on Wait Wait, Don’t Tell Me.

So when Collins sat down with NPR for a reading on Facebook Live, we didn’t have to do much work to drum up an audience. The comments were quickly filled with his longtime fans.

Read it all.