There is something indulgent about boredom. It makes me think of posh people in Russian plays complaining they have nothing to do while other people work their arses off in the field. As Schopenhauer insisted, life for the person of means becomes a question of how to dispose of surplus time. Maybe that’s why boredom feels like a problem especially associated with August and not least with children on long car journeys.
But according to the Norwegian philosopher Lars Svendsen, author of A Philosophy of Boredom, boredom comes to take on a particular and possibly darker inflection with modernity. Having been bored witless writing his PhD about Kant, Svendsen came to see a connection between his subject and his state of mind. With Kant, God is replaced by the self as the ultimate source of meaning. As traditional structures of meaning are wiped away, boredom comes to be regarded as a very personal sort of failing. And in order to avoid it, various distractions are entertained: travel, drink, drugs, the Xbox, sex, transgressive behaviour ”“ all strategies of avoidance, all hinting at a desperate desire to hold off the acknowledgment of meaninglessness. It is, says Svendsen, a problem characteristic of modernity. Whereas boredom has once bragged about as a mark of nobility, now it is the ultimate in personal failing. Those who are bored are losers.
Perhaps this is why the entertainment industry is more important to us that we are often prepared to admit.
Read it all.
(Guardian) Giles Fraser–Spiritually, we do ourselves no favours constantly trying to avoid boredom
There is something indulgent about boredom. It makes me think of posh people in Russian plays complaining they have nothing to do while other people work their arses off in the field. As Schopenhauer insisted, life for the person of means becomes a question of how to dispose of surplus time. Maybe that’s why boredom feels like a problem especially associated with August and not least with children on long car journeys.
But according to the Norwegian philosopher Lars Svendsen, author of A Philosophy of Boredom, boredom comes to take on a particular and possibly darker inflection with modernity. Having been bored witless writing his PhD about Kant, Svendsen came to see a connection between his subject and his state of mind. With Kant, God is replaced by the self as the ultimate source of meaning. As traditional structures of meaning are wiped away, boredom comes to be regarded as a very personal sort of failing. And in order to avoid it, various distractions are entertained: travel, drink, drugs, the Xbox, sex, transgressive behaviour ”“ all strategies of avoidance, all hinting at a desperate desire to hold off the acknowledgment of meaninglessness. It is, says Svendsen, a problem characteristic of modernity. Whereas boredom has once bragged about as a mark of nobility, now it is the ultimate in personal failing. Those who are bored are losers.
Perhaps this is why the entertainment industry is more important to us that we are often prepared to admit.
Read it all.