(Wash. Post) Image of King’s funeral lays bare a racial divide. Has anything changed?

Two years ago, the Smithsonian Institution acquired a conceptual work by Chilean artist Alfredo Jaar that reflects on the funeral of the Rev. Martin Luther King Jr. The piece ”” titled “Life Magazine, April 19, 1968” ”” is one of Jaar’s lesser-known works, produced when he was culling through the archives of the iconic magazine.

Alongside a reproduction of a photo of King’s funeral that ran in “Life,” Jaar graphically lays bare the nation’s racial divisions at the time of the civil rights leader’s death. In one frame, Jaar represents all of the African Americans at the funeral march with black dots. In a second frame, he shows the white people present as red dots. There are thousands of black dots and only a few dozen red ones.

Jaar produced the work in 1995, but until recently it has not been exhibited. “There was no interest in showing this kind of stuff at that time,” the artist, whose work focuses on the politics of images, said in a phone interview Thursday.

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