Winner of two Pulitzer Prizes and scores of other awards, John Updike (1932”“2009) is best known for his graphic but lyrical portrayal of the sexual infidelities of middle America. It was not for nothing that he was called the poet laureate of modern adultery. The most famous of his sixty-some books is Couples, the story of a band of spouse-trading friends, one of whom greeted her lover with the legendary words, “Welcome to the post-pill paradise.”
In his December Public Discourse article, Daniel Ross Goodman wrote that Updike’s two favorite themes were theology and adultery, and that in his writings religion “seems to overpower everything, even sex.” While Goodman deftly explored Updike’s literary brilliance and “wager” for faith, he did not unpack the inner dynamics of Updike’s religion or consider the possibility that it might be problematic. The truth of the matter is that Updike’s religion involved inner contradictions that were resolved only by forging a Christianity subordinated to the spirit of the age.