(The Week) Pascal-Emmanual Gobry: Bob Dylan's Biblical imagination

I could go on and on. Dylan’s work is immense, and his lyrics are deeply dense, packed with references, allusions, and multiple layers of meaning. Books can and have been written about them.

What is clear is that Dylan’s work is deeply shaped by the Bible, and by the Biblical worldview. Not just in the superficial sense that it keeps referring to it and echoing its themes, but also in the more profound sense that Dylan’s own worldview is deeply Biblical. It is spiritual, first and foremost, viewing the spiritual world “first” as the bridge through which we live in the material world, which itself only sends us back to the spiritual world. And it is deeply Biblical in its longing for God, whether it is encountered as art or as the Spirit or as Jesus Christ himself, as the answer to our existential quandaries, as our companion ”” and as our Savior. If you’re going to be faithful to Bob Dylan as an artist, you can’t miss that dimension of his work which ”” for those who have ears to ear ”” is everywhere.

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