{"id":103281,"date":"2021-06-21T08:00:23","date_gmt":"2021-06-21T12:00:23","guid":{"rendered":"http:\/\/kendallharmon.net\/?p=103281"},"modified":"2021-06-22T06:02:01","modified_gmt":"2021-06-22T10:02:01","slug":"ft-2","status":"publish","type":"post","link":"https:\/\/kendallharmon.net\/?p=103281","title":{"rendered":"(FT) Jo Ellison&#8211;The beauty of the unquiet mind: \u2018Madness\u2019, creativity and the post-pandemic culture"},"content":{"rendered":"<p>Watching <em>The Father<\/em>, the stage play of which was first produced in 2012, I found Zeller\u2019s depiction of entrapment frighteningly familiar \u2014 he captures perfectly the horror of mindless repetition and inhabiting a quickly shrinking world. Sin\u00e9ad O\u2019Connor writes with striking clarity about the agoraphobia she now feels having spent a long period in solitude, and how despite her best efforts to try to socialise she would rather be at home. Bo Burnham ends his special by dramatising his exit from the claustrophobic space in which he has laboured for a year on his material, only to be found cringing before a spotlight when he tries to leave the door.<\/p>\n<p>Ironic, maybe, that these studies of psychosis, misery and brain malfunction should have resonated far more powerfully than the clanging hoopla that is now accompanying our return to normal life. I shuddered as I read New York magazine\u2019s exhortation on \u201cThe Return of FOMO\u201d, a recent cover story dedicated to the return of the pre-pandemic social anxiety that you might be \u201cmissing out\u201d.<\/p>\n<p>\u201cFOMO might have gone into hibernation for a while,\u201d writes Matthew Schneier, \u201cbut we may now be on the way to a new golden age as we try to make up for the year we lost by doing more than ever\u2009.\u2009.\u2009.\u2009The city runs on FOMO, a connoisseurship of opportunities and possibilities; the catechism of \u201cDid you get invited, are you on the list, can you get a table?\u201d; the performance of plans.\u201d Eurgh. While Sin\u00e9ad O\u2019Connor left me feeling quite euphoric, the anticipated buzz of being on the right list made me suddenly depressed.<\/p>\n<p>In the US, or maybe it\u2019s a particularly New York mindset, the pandemic is now regarded almost as old news. \u201cNow that Covid is behind us\u2009.\u2009.\u2009.\u2009\u201d have read numerous emails from my US colleagues in recent weeks. America, it is assumed, has vaxxed the virus out of mind. For the more robust of constitution, we can now anticipate a #hotgirlsummer like no other. If the new underground advertising hoardings are to be believed, we will now commence a roaring summer in scenes reminiscent of Lin-Manuel Miranda\u2019s new film musical In the Heights.<\/p>\n<p>For now, I\u2019m far more comfortable in the company of outcasts.<\/p>\n<p><a href=\"https:\/\/www.ft.com\/content\/aa51799f-f2a4-4de7-9f5c-0b1b5f9e4bdc\">Read it all<\/a> (subscription).<\/p>\n<blockquote class=\"twitter-tweet\">\n<p lang=\"en\" dir=\"ltr\">The beauty of the unquiet mind.<\/p>\n<p>Madness, creativity and the post-pandemic world. <a href=\"https:\/\/t.co\/KH5njS4PZq\">https:\/\/t.co\/KH5njS4PZq<\/a><\/p>\n<p>&mdash; James Fitzgerald (@jamesfitz2) <a href=\"https:\/\/twitter.com\/jamesfitz2\/status\/1406552700205076480?ref_src=twsrc%5Etfw\">June 20, 2021<\/a><\/p><\/blockquote>\n<p> <script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Watching The Father, the stage play of which was first produced in 2012, I found Zeller\u2019s depiction of entrapment frighteningly familiar \u2014 he captures perfectly the horror of mindless repetition and inhabiting a quickly shrinking world. Sin\u00e9ad O\u2019Connor writes with<span class=\"ellipsis\">&hellip;<\/span><\/p>\n<div class=\"read-more\"><a href=\"https:\/\/kendallharmon.net\/?p=103281\">Read more &#8250;<\/a><\/div>\n<p><!-- end of .read-more --><\/p>\n","protected":false},"author":794,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39,175,92,93,129],"tags":[],"class_list":["post-103281","post","type-post","status-publish","format-standard","hentry","category-culture-watch","category-anthropology","category-books","category-movies-television","category-psychology"],"_links":{"self":[{"href":"https:\/\/kendallharmon.net\/index.php?rest_route=\/wp\/v2\/posts\/103281","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kendallharmon.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kendallharmon.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kendallharmon.net\/index.php?rest_route=\/wp\/v2\/users\/794"}],"replies":[{"embeddable":true,"href":"https:\/\/kendallharmon.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=103281"}],"version-history":[{"count":7,"href":"https:\/\/kendallharmon.net\/index.php?rest_route=\/wp\/v2\/posts\/103281\/revisions"}],"predecessor-version":[{"id":103338,"href":"https:\/\/kendallharmon.net\/index.php?rest_route=\/wp\/v2\/posts\/103281\/revisions\/103338"}],"wp:attachment":[{"href":"https:\/\/kendallharmon.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=103281"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kendallharmon.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=103281"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kendallharmon.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=103281"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}