{"id":38118,"date":"2013-05-03T21:30:31","date_gmt":"2013-05-03T21:30:31","guid":{"rendered":"http:\/\/127.0.0.1\/site\/2017\/2\/1985\/wsj_sarah_pulliam_bailey_god_doesnt_guarantee_a_broadway_smash\/"},"modified":"2013-05-03T21:30:31","modified_gmt":"2013-05-03T21:30:31","slug":"wsj_sarah_pulliam_bailey_god_doesnt_guarantee_a_broadway_smash","status":"publish","type":"post","link":"https:\/\/kendallharmon.net\/?p=38118","title":{"rendered":"(WSJ) Sarah Pulliam Bailey: God Doesn&#39;t Guarantee a Broadway Smash"},"content":{"rendered":"<p>The Hollywood success of blockbusters like &#8220;Passion of the Christ&#8221; and &#8220;The Blind Side&#8221; has faith-based groups and entertainment executives looking to capture segments of the American audience eager for openly religious fare. Mr. Burnett&#8217;s &#8220;The Bible&#8221; has more mouths watering: In its first week of home video release last month, it became the top-selling TV miniseries of all time, selling 525,000 units, according to the Hollywood Reporter.<\/p>\n<p>But theater presents different challenges. &#8220;Hollywood is in the business of catching lightning in a bottle twice,&#8221; says Jonathan Bock, president of Grace Hill Media, a marketing firm that has helped several Hollywood studios target religious audiences. &#8220;With movies, you can toe-dip with small releases or direct to DVD. On Broadway, you swing and hit or miss.&#8221;<\/p>\n<p>The Broadway shows about religion that have been the most successful are the less-than-reverent ones&#8230;.<\/p>\n<p><a href=\"http:\/\/online.wsj.com\/article\/SB10001424127887323628004578456622504923156.html\">Read it all<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Hollywood success of blockbusters like &#8220;Passion of the Christ&#8221; and &#8220;The Blind Side&#8221; has faith-based groups and entertainment executives looking to capture segments of the American audience eager for openly religious fare. Mr. Burnett&#8217;s &#8220;The Bible&#8221; has more mouths<span class=\"ellipsis\">&hellip;<\/span><\/p>\n<div class=\"read-more\"><a href=\"https:\/\/kendallharmon.net\/?p=38118\">Read more &#8250;<\/a><\/div>\n<p><!-- end of .read-more --><\/p>\n","protected":false},"author":794,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39,108,127],"tags":[],"class_list":["post-38118","post","type-post","status-publish","format-standard","hentry","category-culture-watch","category-religion-culture","category-theatredramaplays"],"_links":{"self":[{"href":"https:\/\/kendallharmon.net\/index.php?rest_route=\/wp\/v2\/posts\/38118","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kendallharmon.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kendallharmon.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kendallharmon.net\/index.php?rest_route=\/wp\/v2\/users\/794"}],"replies":[{"embeddable":true,"href":"https:\/\/kendallharmon.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=38118"}],"version-history":[{"count":0,"href":"https:\/\/kendallharmon.net\/index.php?rest_route=\/wp\/v2\/posts\/38118\/revisions"}],"wp:attachment":[{"href":"https:\/\/kendallharmon.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=38118"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kendallharmon.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=38118"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kendallharmon.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=38118"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}