{"id":50256,"date":"2015-06-12T02:01:31","date_gmt":"2015-06-12T02:01:31","guid":{"rendered":"http:\/\/127.0.0.1\/site\/2017\/2\/1985\/npr_a_poet_can_indeed_be_trouble_in_set_fire_to_the_stars\/"},"modified":"2015-06-12T02:01:31","modified_gmt":"2015-06-12T02:01:31","slug":"npr_a_poet_can_indeed_be_trouble_in_set_fire_to_the_stars","status":"publish","type":"post","link":"https:\/\/kendallharmon.net\/?p=50256","title":{"rendered":"(NPR) A Poet Can Indeed Be Trouble In &#39;Set Fire To The Stars&#39;"},"content":{"rendered":"<p>&#8220;How much trouble can one poet be?&#8221; That&#8217;s literature professor John Malcolm Brinnin&#8217;s rhetorical response to his buttoned-way-down colleagues&#8217; fears about a writer&#8217;s proposed visit to New York in 1950. Today, the query can&#8217;t be heard as anything other than an inside joke. For the poet is Dylan Thomas, who was trouble for most of his 39 years.<\/p>\n<p>Set Fire to the Stars takes its title from a line written by Thomas, who&#8217;s played by Celyn Jones, the movie&#8217;s co-writer. But the story is just as much about Brinnin, impersonated by Elijah Wood, the film&#8217;s most marketable performer and its co-producer. The script was fictionalized from a section of Dylan Thomas in America, a 1955 memoir by Brinnin, who facilitated several tours by the poet \u201d\u201d including the 1953 one on which he died.<\/p>\n<p>As portrayed here, Thomas and Brinnin shared two enthusiasms: poetry and cigarettes. While the visiting Welshman drinks heavily, womanizes compulsively and offends promiscuously, the bow-tied, slick-haired Brinnin channels all his frustration into chain smoking.<\/p>\n<p><a href=\"http:\/\/www.npr.org\/2015\/06\/11\/412965552\/a-poet-can-indeed-be-trouble-in-set-fire-to-the-stars?sc=tw\">Read it all<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;How much trouble can one poet be?&#8221; That&#8217;s literature professor John Malcolm Brinnin&#8217;s rhetorical response to his buttoned-way-down colleagues&#8217; fears about a writer&#8217;s proposed visit to New York in 1950. Today, the query can&#8217;t be heard as anything other than<span class=\"ellipsis\">&hellip;<\/span><\/p>\n<div class=\"read-more\"><a href=\"https:\/\/kendallharmon.net\/?p=50256\">Read more &#8250;<\/a><\/div>\n<p><!-- end of .read-more --><\/p>\n","protected":false},"author":794,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39,133,113,127],"tags":[],"class_list":["post-50256","post","type-post","status-publish","format-standard","hentry","category-culture-watch","category-history","category-poetry-literature","category-theatredramaplays"],"_links":{"self":[{"href":"https:\/\/kendallharmon.net\/index.php?rest_route=\/wp\/v2\/posts\/50256","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kendallharmon.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kendallharmon.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kendallharmon.net\/index.php?rest_route=\/wp\/v2\/users\/794"}],"replies":[{"embeddable":true,"href":"https:\/\/kendallharmon.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=50256"}],"version-history":[{"count":0,"href":"https:\/\/kendallharmon.net\/index.php?rest_route=\/wp\/v2\/posts\/50256\/revisions"}],"wp:attachment":[{"href":"https:\/\/kendallharmon.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=50256"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kendallharmon.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=50256"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kendallharmon.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=50256"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}