Beginning with two works by Titian, Noli Me Tangere (c.1514) and Bacchus and Ariadne (1520-23), Mr MacGregor says that they tell essentially the same story. Noli Me Tangere has an added resonance because it was one of the paintings chosen by wartime Londoners to be the National Gallery’s picture of the month, when the entire national collection was sheltered from the bombing in a Welsh mine.
“The thing that fascinated me was how much more difficult people found it to engage with that picture if they were not Christian than to engage with Titian’s Bacchus and Ariadne. But the Bacchus and Ariadne and Noli Me Tangere are about the same subject.
“They’re about a woman who has loved someone, who has been abandoned, and then who encounters a god, and the encounter with a god changes her life, and brings her new life, new hope. And, for most visitors, it’s much easier to engage with the Bacchus and Ariadne . . . because we know it’s a myth. We know it is about a truth that is absolutely universal and perpetuates, even though that event may never have happened. It speaks to the permanent truth, and enduring truth.”
Neil MacGregor tells Susan Gray about the challenges of publicly displaying works of art which represent faithhttps://t.co/ueDipommqx
— Church Times (@ChurchTimes) November 2, 2024
Leave a Reply
You must be logged in to post a comment.