If there’s anything Catholics in the United States should have learned over the past two decades, it’s that order—in the world, the republic, and the Church—is a fragile thing. And by “order,” I don’t mean the same old same old. Rather, I mean the dynamic development of world politics, our national life, and the Church within stable reference points that guide us into the future.
Many of those reference points seem to have come unstuck, and that’s why we’re experiencing an unusual amount of air turbulence these days….Those who don’t remember the two decades immediately after Vatican II and haven’t taken the trouble to learn that history are understandably upset by the fragility of order in the Church today. But they should also understand that this is not 1968, or 1978, or even 1988, and that a lot of ballast was put into the Barque of Peter during the pontificates of John Paul II and Benedict XVI. For all the challenges it faces, and despite the determination of some to revisit what they regard as the glorious Seventies, the Church in the U.S. is in far, far better condition to withstand the air turbulence of the moment than it was forty years ago. And that’s because truth, spoken winsomely and in charity, but without fudging, has proven a powerful instrument of evangelization and spiritual growth in a culture wallowing in various confusions.
At the bottom of the bottom line is the Resurrection. It’s entirely possible to hold fast to the truth that Jesus of Nazareth was raised by God to a new form of bodily life after his crucifixion and be deeply concerned about the state of the Church today. But it’s not possible to know the Risen Lord and to indulge in despair. Despair died on the cross and unshakeable hope was born at Easter. That’s why Easter faith is the surest anchor for all of us in turbulent times.
Our picture of the month for March is 'Noli me Tangere' by Titian. It captures the moment on Easter morning when Mary Magdalene meets the risen Christ. Find out more here: https://t.co/jgUxvEaCWG pic.twitter.com/3n23UTGoT5
— National Gallery (@NationalGallery) March 2, 2018