“The same traumatic awe, or awe-filled trauma, will strike the soul of every thoughtful Christian with unconverted relatives and friends who takes seriously the promise that Jesus the Saviour will one day return to judge the living and the dead.”
Rodin’s ‘The Kiss’ and ‘The Thinker’ are now regarded as masterpieces in their own right, but neither of them started out as individual works.
They were part of his elaborate composition ‘The Gates of Hell’. Find out more in our #RodinExhibition blog: https://t.co/7xvCbFwiPS pic.twitter.com/4UU7YdK5Qs
— British Museum (@britishmuseum) February 17, 2018