(Guardian) Guarding the apocalypse: inside the fortress of the new Lambeth Palace Library

A dangerous-looking porcupine scuttles across the bottom of a page of a medieval manuscript, amid scenes of fire-breathing dragons, bodies bubbling in cauldrons, and boats deluged by biblical floods. Known as the Lambeth Apocalypse , this 13th-century illuminated text is one of the lurid highlights of the magnificent collection of Lambeth Palace Library , the most important religious archive in the UK and the largest in Europe, after the Vatican in Rome. For centuries, this precious hoard has been kept in a series of leaky, draughty rooms in the palace, gradually filling up every cramped corner. Now, after 400 years, it finally has a purpose-built home – and it’s safe to say that, if the apocalypse ever comes to south London, this fortified building will probably survive it.

“Noah could float past in his ark and the collection would be all right,” says Clare Wright, the Scottish architect behind the £24m new library. “We’ve created a concrete bunker with more bunkers inside, all lifted up above the one-in-1,000-year flood risk level.”

As bunkers go, it is pretty refined. Clad in a sober costume of red bricks, the building stands as a proud bastion at a bend in the busy Lambeth Palace Road, its nine-storey tower poking up above St Thomas’s hospital to peer over at the Palace of Westminster across the Thames. It meets the street with a sheer redbrick cliff-face, its monolithic mass punctured only by a few tiny square windows and the steel gates of a dark grey entrance. Crowning it all is a covered terrace with the air of a rooftop lookout station. This is a public facility, but its primary purpose is clearly the security of the collection. All that’s missing are the cannons.

“Protecting the archive was our main priority,” says library director Declan Kelly. “One of our new trustees asked where the cafe and shop are going to be, but we don’t have either. There’s a little room for readers to make themselves a cup of tea and a small exhibition space, but the emphasis is on safeguarding the collection.”

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Posted in Archbishop of Canterbury, Books, Church of England (CoE), England / UK, History