You are a citizen of the 2020s. Device in hand, ear buds in, you wander the lanes of a strange world. You can make a trip to the shops without talking to another human being, but you can’t walk through a city without being filmed. You are never far from a screen, you can’t afford to be, and why would you want to be? The screen gives. It has abolished time, distance, boredom, longing. Is anything you see on it real? But then, what is “reality”? Who decides? Do you find this or that notion oppressive, restricting? Redefine it. Make everything new. Make yourself into what you want to be. The app is available to download.
Robot bodies may soon fight wars, robot brushes make art, robot minds write sentences like this one. Babies might emerge from artificial wombs, their mothers finally free to work and consume and play so that they may be fully liberated. There are codes to scan to access things that only yesterday you never knew you needed. Soon you might need to scan the codes to do anything at all. Soon your children will be taught STEM by a bot, and they will laugh at its jokes. The algorithm will know them better than they know themselves.
Everything, it can seem, has shifted in the 2020s, in ways that we can’t quite pin down. The surface eruptions come in the world of politics or culture, but the shift seems deeper than either. It seems, somehow, as if the world around us has fundamentally changed. But how?
The philosopher Jeremy Naydler attempts an answer in his book “In the Shadow of the Machine” (2018)….
WSJ Opinion by Paul Kingsnorth is excellent.https://t.co/W1Doq1EAXv
— Jonathan Greer (@greerjon) September 19, 2025