Most would breathe a sigh of relief that arguments over musical style are abating. But for C. Randall Bradley, the worship wars are only a prelude to a larger reformation in Church music. In From Memory to Imagination, Bradley argues that it is time for Church musicians and pastors to devise new forms of worship that respond to what he calls the postmodern cultural movement. The term postmodern has several possible meanings; in Bradley’s book it can be defined through a series of questions about the broader purpose that music serves: How can music reflect the narrative and values of the Church’s community? How can churches change worship so that it is community-directed, rather than guided by a leader? How can music further the specific mission for which God has placed the Church in its local context, while also reflecting the full gamut of human experience?
Bradley argues that the current tools that churches use for designing worship are, unfortunately, not yet capable of answering these questions. In a wide-ranging critique of contemporary worship practice, he notes that music and preaching are leader-centered, stifling a collaborative planning process. They tend to be male-centered. They are performance-driven, turning the congregation into a group of spectators. Most significantly, their legitimacy comes from the power of an academy that confers a professional degree, or from the power of commerce as it markets songs to churches. These structures do not allow Christians to take ownership of their worship experience.
Read it all from The Living Church.
“Bradley argues that the current tools that churches use for designing worship are, unfortunately, not yet capable of answering these questions. In a wide-ranging critique of contemporary worship practice, he notes that music and preaching are leader-centered, stifling a collaborative planning process. They tend to be male-centered. They are performance-driven, turning the congregation into a group of spectators. Most significantly, their legitimacy comes from the power of an academy that confers a professional degree, or from the power of commerce as it markets songs to churches. These structures do not allow Christians to take ownership of their worship experience.”
Bradley needs to visit a Eucharistic Adoration. There none of these complaints are true. Unfortunately, being ancient, it doesn’t fit the story line.