The story of “Les Misérables”, a book that has won hearts and changed minds across the globe https://t.co/izQBmwsYtd
— The Economist (@TheEconomist) February 28, 2017
Save for Hugo’s literary rivals (Alexandre Dumas likened it to “wading through mud”), everybody loved the long haul of Valjean’s rehabilitation in the company of characters who soon entered folklore: the street-girl Fantine, her daughter Cosette, the urchin Gavroche, the student Marius. Shorn of its condemnation of slavery, the novel even circulated in a pirate edition among Confederate soldiers during the American civil war. In a weary pun on their commander’s name, they dubbed themselves “Lee’s Miserables”.
From the humane treatment of ex-offenders to the care of street children, “Les Misérables” spearheaded calls for reform and contributed to “the future improvement of society”. Few books really change the world. This one did, long before it broke box-office records on stage. In the musical Hugo’s hero intones—in a song loved by television talent-show contestants—“Bring Him Home”. Mr [David] Bellos does just that, as he restores “Les Mis” to its maker and his times.