(NYT Op-ed) David Brooks–The Fourth Great Awakening

The competitive virtues of Athens are usually narrated in myth while the compassionate virtues of Jerusalem often get narrated in parable.

Myth is a specific kind of story. Myths are generally set in a timeless Perilous Realm. The Perilous Realm usually has different rules than the normal world. Creatures have different superpowers, like the ability to fly or throw shafts of lightning. And those rules are taken very seriously. Within the Perilous Realm everything that happens in myth is “true,” in the sense that everything obeys the rules of that other world.

Myths respond to our hunger to do something heroic. Whether it is Zeus, Thor, Luke Skywalker or Wonder Woman, myths trace the archetypal chapters of the heroic quest or combat: refusing the call, the meeting of the mentor, the ordeal, seizing the sword and so on.

The core drama is external: fighting the forces of evil, enduring the harsh journey, developing the skills that make you the best.

Parable is a different kind of story. Parables are usually set in normal time and reality. Parables have ordinary human characters, never superheroes. The word parable comes from the Greek word meaning comparison. Parables are meant to be relatable and didactic.

Parables respond to our deep hunger to be in close relationship. Parables — think of the good Samaritan, the emperor’s new clothes, the prodigal son or the story of Ruth, Naomi and Boaz — are mostly about inner states, not external combat. Characters are presented with a moral dilemma or a moral occasion, and the key question is whether they express charity, faithfulness, forgiveness, commitment and love.

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Posted in * Culture-Watch, America/U.S.A., Philosophy, Psychology, Religion & Culture