Some arguments are hard to settle but are too important to avoid. Here is one: whether the social crisis among America’s poor and working class ”” the collapse of the two-parent family, the weakening of communal ties ”” is best understood as a problem of economics or of culture.
This argument recurs whenever there’s a compelling depiction of that crisis. In 2012, the catalyst was Charles Murray’s “Coming Apart,” with its portrait of the post-1960s divide between two fictional communities ”” upper-class “Belmont” and blue-collar “Fishtown.” Now it’s Robert Putnam’s “Our Kids,” which uses the author’s Ohio hometown to trace the divergent fortunes of its better-educated and less-educated families.
Murray belongs to the libertarian right, Putnam to the communitarian left, so Putnam is more hopeful that economic policy can address the problems he describes. But “Our Kids” is attuned to culture’s feedback loops, and it offers grist for social conservatives who suspect it would take a cultural counterrevolution to bring back the stable working class families of an earlier America.
Read it all.
(NYT Op-ed) Ross Douthat on the social crisis among America’s poor and working class
Some arguments are hard to settle but are too important to avoid. Here is one: whether the social crisis among America’s poor and working class ”” the collapse of the two-parent family, the weakening of communal ties ”” is best understood as a problem of economics or of culture.
This argument recurs whenever there’s a compelling depiction of that crisis. In 2012, the catalyst was Charles Murray’s “Coming Apart,” with its portrait of the post-1960s divide between two fictional communities ”” upper-class “Belmont” and blue-collar “Fishtown.” Now it’s Robert Putnam’s “Our Kids,” which uses the author’s Ohio hometown to trace the divergent fortunes of its better-educated and less-educated families.
Murray belongs to the libertarian right, Putnam to the communitarian left, so Putnam is more hopeful that economic policy can address the problems he describes. But “Our Kids” is attuned to culture’s feedback loops, and it offers grist for social conservatives who suspect it would take a cultural counterrevolution to bring back the stable working class families of an earlier America.
Read it all.