Moist, with one drop of thy blood, my dry soule
Shall (though she now be in extreme degree
Too stony hard, and yet too fleshly) be
Freed by that drop, from being starved, hard, or foul,
And life, by this death abled, shall control
Death, whom thy death slew; nor shall to me
Fear of first or last death, bring misery,
If in thy little book my name thou enroll,
Flesh in that long sleep is not putrified,
But made that there, of which, and for which ’twas;
Nor can by other means be glorified.
May then sins sleep, and deaths soon from me pass,
That waked from both, I again risen may
Salute the last, and everlasting day.

”“John Donne (1572-1631)

Tomb, thou shalt not hold Him longer;
Death is strong, but Life is stronger;
Stronger than the dark, the light;
Stronger than the wrong, the right.
Faith and Hope triumphant say,
Christ will rise on Easter-Day.

While the patient earth lies waking,
Till the morning shall be breaking,
Shuddering ‘neath the burden dread
Of her Master, cold and dead,
Hark! she hears the angels say,
Christ will rise on Easter-Day.
And when sunrise smites the mountains,
Pouring light from heavenly fountains,
Then the earth blooms out to greet
Once again the blessed feet;
And her countless voices say,
Christ has risen on Easter-Day.

Up and down our lives obedient
Walk, dear Christ, with footsteps radiant,
Till those garden lives shall be
Fair with duties done for Thee;
And our thankful spirits say,
Christ arose on Easter-Day.

–Phillips Brooks (1835-1893)

The Resurrection is the eucatastrophe of the story of the Incarnation ”” This story begins and ends in joy.

— J.R.R. Tolkien (1892-1973)

I have desired to go
Where springs not fail,
To fields where flies no sharp and sided hail
And a few lilies blow.

And I have asked to be
Where no storms come,
Where the green swell is in the havens dumb,
And out of the swing of the sea.

–Gerard Manley Hopkins (1844”“89), “Heaven-Haven”

Sam believes that Gandalph has fallen a catastrophic distance and has died. But in the end of the story, with Sam having been asleep for a long while and then beginning to regain consciousness, Gandalf stands before Sam, robed in white, his face glistening in the sunlight, and says:

“Well, Master Samwise, how do you feel?”

But Sam lay back, and stared with open mouth, and for a moment, between bewilderment and great joy, he could not answer. At last he gasped: “Gandalf! I thought you were dead! But then I thought I was dead myself. Is everything sad going to come untrue? What’s happened to the world?”

“A great shadow has departed,” said Gandalf, and then he laughed, and the sound was like music, or like water in a parched land; and as he listened the thought came to Sam that he had not heard laughter, the pure sound of merriment, for days without count. It fell upon his ears like the echo of all the joys he had ever known. But he himself burst into tears. Then as a sweet rain will pass down a wind of spring and the sun will shine out the clearer, his tears ceased, and his laughter welled up, and laughing he sprang from bed… “How do I feel?” he cried.” Well, I don’t know how to say it. I feel, I feel” –he waved his arms in the air– “I feel like spring after winter, and sun on the leaves; and like trumpets and harps and all the songs I have ever heard!”

— J.R.R. Tolkien (1892-1973), The Return of the King

Make no mistake: if He rose at all
it was as His body;
if the cells’ dissolution did not reverse, the molecules
reknit, the amino acids rekindle,
the Church will fall.

It was not as the flowers,
each soft Spring recurrent;
it was not as His Spirit in the mouths and fuddled
eyes of the eleven apostles;
it was as His Flesh: ours.
The same hinged thumbs and toes,
the same valved heart
that ”” pierced ”” died, withered, paused, and then
regathered out of enduring Might
new strength to enclose.
Let us not mock God with metaphor,
analogy, sidestepping transcendence;
making of the event a parable, a sign painted in the
faded credulity of earlier ages:
let us walk through the door.

The stone is rolled back, not papier-mache,
not a stone in a story,
but the vast rock of materiality that in the slow
grinding of time will eclipse for each of us
the wide light of day.

And if we will have an angel at the tomb,
make it a real angel,
weighty with Max Planck’s quanta, vivid with hair,
opaque in the dawn light, robed in real linen
spun on a definite loom.

Let us not seek to make it less monstrous,
for our own convenience, our own sense of beauty,
lest, awakened in one unthinkable hour, we are
embarrassed by the miracle,
and crushed by remonstrance.

–John Updike (1932-2009)

HOW life and death in Thee
Agree !
Thou hadst a virgin womb
And tomb.
A Joseph did betroth
Them both.

”“Richard Crashaw (1613-1649)

“Here the hangman stops his cart:
Now the best of friends must part.
Fare you well, for ill fare I:
Live, lads, and I will die.

“Oh, at home had I but stayed
”˜Prenticed to my father’s trade,
Had I stuck to plane and adze,
I had not been lost, my lads.

“Then I might have built perhaps
Gallows-trees for other chaps,
Never dangled on my own,
Had I left but ill alone.
“Now, you see, they hang me high,
And the people passing by
Stop to shake their fists and curse;
So ’tis come from ill to worse.

“Here hang I, and right and left
Two poor fellows hang for theft:
All the same’s the luck we prove,
Though the midmost hangs for love.

“Comrades all, that stand and gaze,
Walk henceforth in other ways;
See my neck and save your own:
Comrades all, leave ill alone.

“Make some day a decent end,
Shrewder fellows than your friend.
Fare you well, for ill fare I:
Live lads, and I will die.”

”“A. E. Housman (1859-1936)

O My chief good,
How shall I measure out thy bloud?
How shall I count what thee befell,
And each grief tell?

Shall I thy woes
Number according to thy foes?
Or, since one starre show’d thy first breath,
Shall all thy death?

Or shall each leaf,
Which falls in Autumn, score a grief?
Or can not leaves, but fruit, be signe
Of the true vine?
Then let each houre
Of my whole life one grief devoure;
That thy distresse through all may runne,
And be my sunne.

Or rather let
My severall sinnes their sorrows get;
That as each beast his cure doth know,
Each sinne may so.

Since bloud is fittest, Lord, to write
Thy sorrows in, and bloudie fight;
My heart hath store, write there, where in
One box doth lie both ink and sinne:

That when sinne spies so many foes,
Thy whips, thy nails, thy wounds, thy woes,
All come to lodge there, sinne may say,
No room for me, and flie away.

Sinne being gone, oh fill the place,
And keep possession with thy grace;
Lest sinne take courage and return,
And all the writings blot or burn.

–George Herbert (1593-1633)

Philosophers have measured mountains,
Fathomed the depths of seas, of states, and kings,
Walked with a staff to heaven, and traced fountains:
But there are two vast, spacious things
The which to measure it doth more behoove:
Yet few there are that sound them: Sin and Love.
Who would know Sin, let him repair
Unto Mount Olivet; there shall he see
A man so wrung with pains that all his hair,
His skin, his garments bloody be.
Sin is that press and vice, that forceth pain
To hunt his cruel food through every vein.

Who knows not Love, let him assay
And taste that juice, which on the cross a pike
Did set again abroach; then let him say
If ever he did taste the like.
Love is that liquor sweet and most divine
Which my God feels as blood; but I, as wine.

–George Herbert (1593-1633)

O all ye, who pass by, whose eyes and mind
To worldly things are sharp, but to me blind;
To me, who took eyes that I might you find:
Was ever grief like mine?

The Princes of my people make a head
Against their Maker: they do wish me dead,
Who cannot wish, except I give them bread:
Was ever grief like mine?

Without me each one, who doth now me brave,
Had to this day been an Egyptian slave.
They use that power against me, which I gave:
Was ever grief like mine?

Take the time for careful prayer, rumination and meditation over it all.

Oh King of grief! (a title strange, yet true,
To thee of all kings only due)
Oh King of wounds! how shall I grieve for thee,
Who in all grief preventest me?
Shall I weep blood? why thou has wept such store
That all thy body was one door.
Shall I be scourged, flouted, boxed, sold?
‘Tis but to tell the tale is told.
‘My God, my God, why dost thou part from me? ‘
Was such a grief as cannot be.
But how then shall I imitate thee, and
Copy thy fair, though bloody hand?
Surely I will revenge me on thy love,
And try who shall victorious prove.
If thou dost give me wealth, I will restore
All back unto thee by the poor.
If thou dost give me honour, men shall see,
The honour doth belong to thee.
I will not marry; or, if she be mine,
She and her children shall be thine.
My bosom friend, if he blaspheme thy name,
I will tear thence his love and fame.
One half of me being gone, the rest I give
Unto some Chapel, die or live.
As for thy passion – But of that anon,
When with the other I have done.
For thy predestination I’ll contrive,
That three years hence, if I survive,
I’ll build a spittle, or mend common ways,
But mend mine own without delays.
Then I will use the works of thy creation,
As if I us’d them but for fashion.
The world and I will quarrel; and the year
Shall not perceive, that I am here.
My music shall find thee, and ev’ry string
Shall have his attribute to sing;
That all together may accord in thee,
And prove one God, one harmony.
If thou shalt give me wit, it shall appear;
If thou hast giv’n it me, ’tis here.
Nay, I will read thy book, and never move
Till I have found therein thy love;
Thy art of love, which I’ll turn back on thee,
O my dear Saviour, Victory!
Then for thy passion – I will do for that –
Alas, my God, I know not what.

–George Herbert (1593-1633)

How much oxygen
to ask a question,
to rattle a crack-lipped
whisper,
a one-word lie?

Other animals exist
in an endless present””
ice and light,
speed or crawl, waves
of whatever is this and now.

Of course there’s us””
the only breathing bodies
free enough not
to show up to ourselves,…

Read it all and read the very interesting circumstances that led to the writing of this poem.

Ken Myers grew up in a conservative Christian household in Beltsville, Maryland, during the 1960s. When he was in tenth grade, two important things happened to him.

His high school music teacher introduced him to the music of Bach, taking eight months to teach Myers and the rest of the boys’ choir how to sing the motet Jesu, meine Freunde. And he fell upon a copy of the Saturday Review.

Saturday Review is pretty much forgotten today. (A number of people still remember Bach.) The magazine began in the 1920s and flourished in the postwar years. Its writers ranged widely over the arts, from music and literature to painting and drama, cultivating a readership of strivers”‹”””‹professional and college educated, if not brainy by nature”‹”””‹who were eager for self-improvement and a kind of intellectual diversion that was sophisticated and accessible. The magazine was edited by a windy polymath named Norman Cousins, a model of the kind of well-meaning and high-minded public intellectual they don’t seem to make anymore.

“Everyone else in high school was discovering recreational drugs,” Myers told me not long ago. “I was discovering Norman Cousins.”

Read it all.

“In terms of dramatic structure, I don’t really buy the humanist verities anymore…I mean, I buy them, they’re a subset of what’s true. But they’re not sufficient. They wouldn’t do much for me on my deathbed. Look at it another way. We’re here. We’re nice guys. We’re doing O.K. But we know that in X number of years, we won’t be here, and between now and then something unpleasant is gonna happen, or at least potentially unpleasant and scary. And when we turn to try and understand that, I don’t really think the humanist verities are quite enough. Because that would be crazy if they were. It would be so weird if we knew just as much as we needed to know to answer all the questions of the universe. Wouldn’t that be freaky? Whereas the probability is high that there is a vast reality that we have no way to perceive, that’s actually bearing down on us now and influencing everything. The idea of saying, ”˜Well, we can’t see it, therefore we don’t need to see it,’ seems really weird to me.”

–George Saunders in the New York Times magazine article posted yesterday

Listen to and ponder it all.

A little girl is singing for the faithful to come ye
Joyful and triumphant, a song she loves,
And also the partridge in a pear tree
And the golden rings and the turtle doves…..

Read it all.

Not while the snow-shroud round dead earth is rolled,
And naked branches point to frozen skies.””
When orchards burn their lamps of fiery gold,
The grape glows like a jewel, and the corn
A sea of beauty and abundance lies,
Then the new year is born.

Look where the mother of the months uplifts
In the green clearness of the unsunned West,
Her ivory horn of plenty, dropping gifts,
Cool, harvest-feeding dews, fine-winnowed light;
Tired labor with fruition, joy and rest
Profusely to requite.

Blow, Israel, the sacred cornet! Call
Back to thy courts whatever faint heart throb
With thine ancestral blood, thy need craves all.
The red, dark year is dead, the year just born
Leads on from anguish wrought by priest and mob,
To what undreamed-of morn?

Read it all.

[1] The irresponsive silence of the land,
The irresponsive sounding of the sea,
Speak both one message of one sense to me: ””
Aloof, aloof, we stand aloof, so stand
Thou too aloof bound with the flawless band
Of inner solitude; we bind not thee;
But who from thy self””chain shall set thee free?
What heart shall touch thy heart? what hand thy hand?””
And I am sometimes proud and sometimes meek,
And sometimes I remember days of old
When fellowship seemed not so far to seek
And all the world and I seemed much less cold,
And at the rainbow’s foot lay surely gold,
And hope felt strong and life itself not weak.
[2] Thus am I mine own prison. Everything
Around me free and sunny and at ease:
Or if in shadow, in a shade of trees
Which the sun kisses, where the gay birds sing
And where all winds make various murmuring;
Where bees are found, with honey for the bees;
Where sounds are music, and where silences
Are music of an unlike fashioning.
Then gaze I at the merrymaking crew,
And smile a moment and a moment sigh
Thinking: Why can I not rejoice with you ?
But soon I put the foolish fancy by:
I am not what I have nor what I do;
But what I was I am, I am even I.

[3]Therefore myself is that one only thing
I hold to use or waste, to keep or give;
My sole possession every day I live,
And still mine own despite Time’s winnowing.
Ever mine own, while moons and seasons bring
From crudeness ripeness mellow and sanative;
Ever mine own, till Death shall ply his sieve;
And still mine own, when saints break grave and sing.
And this myself as king unto my King
I give, to Him Who gave Himself for me;
Who gives Himself to me, and bids me sing
A sweet new song of His redeemed set free;
He bids me sing: O death, where is thy sting?
And sing: O grave, where is thy victory?

–Christina Rossetti (1830-1894)

The holly and the mistletoe must be taken down and burnt,
And the children got ready for school. There are enough
Left-overs to do, warmed-up, for the rest of the week —
Not that we have much appetite, having drunk such a lot,
Stayed up so late, attempted — quite unsuccessfully —
To love all of our relatives, and in general
Grossly overestimated our powers. Once again
As in previous years we have seen the actual Vision and failed
To do more than entertain it as an agreeable
Possibility, once again we have sent Him away,
Begging though to remain His disobedient servant,
The promising child who cannot keep His word for long.
The Christmas Feast is already a fading memory,
And already the mind begins to be vaguely aware
Of an unpleasant whiff of apprehension at the thought
Of Lent and Good Friday which cannot, after all, now
Be very far off.

Read it all (my emphasis).

Come, ye sinners, poor and wretched,
Weak and wounded, sick and sore;
Jesus ready stands to save you,
Full of pity join’d with power:
He is able, he is able, he is able;
He is willing; doubt no more.

Ho! ye needy, come and welcome;
God’s free bounty glorify:
True belief and true repentance,
Every grace that brings you nigh,
Without money, without money,
without money,
Come to Jesus Christ and buy!
Come, ye weary, heavy-laden,
Bruis’d and mangled by the Fall;
If you tarry till you’re better,
You will never come at all:
Not the righteous, not the righteous,
not the righteous;
Sinners, Jesus came to call.

View Him prostrate in the garden,
Lo! your Maker prostrate lies!
On the bloody tree behold Him,
Hear Him cry before He dies,
It is finished! It is finished! It is finished!
Sinner, will not this suffice?

Lo! the incarnate God, ascended,
Pleads the merit of His blood;
Venture on Him, venture wholly,
Let no other trust intrude:
None but Jesus, none but Jesus,
none but Jesus,
Can do helpless sinners good.

”“Joseph Hart (1712-1768)

Behold the father is his daughter’s son,
The bird that built the nest is hatched therein,
The old of years an hour hath not outrun,
Eternal life to live doth now begin,
The Word is dumb, the mirth of heaven doth weep,
Might feeble is, and force doth faintly creep.

O dying souls, behold your living spring;
O dazzled eyes, behold your sun of grace;
Dull ears, attend what word this Word doth bring;
Up, heavy hearts, with joy your joy embrace.
From death, from dark, from deafness, from despairs
This life, this light, this Word, this joy repairs.

Gift better than himself God doth not know;
Gift better than his God no man can see.
This gift doth here the giver given bestow;
Gift to this gift let each receiver be.
God is my gift, himself he freely gave me;
God’s gift am I, and none but God shall have me.

Man altered was by sin from man to beast;
Beast’s food is hay, hay is all mortal flesh.
Now God is flesh and lies in manger pressed
As hay, the brutest sinner to refresh.
O happy field wherein that fodder grew,
Whose taste doth us from beasts to men renew.

—-Robert Southwell (1561-1595)

In an essay in The Times’ Sunday Book Review this week the writer Paul Elie asks the intriguing question: Has fiction lost its faith? As we are gathered here today, let us consider one of the most oddly faithful of all fiction writers, Fyodor Dostoevsky. More specifically, I’d like focus pretty intensely on what some consider to be the key moment in his greatest novel — arguably one of the greatest of all time — “The Brothers Karamazov.” (Elie himself notes the 1880 masterpiece as an example of the truly faith-engaged fiction of yore.) I speak in particular of the “Grand Inquisitor” scene, a sort of fiction within a fiction that draws on something powerful from the New Testament — Jesus’s refusal of Satan’s three temptations — and in doing so digs at the meaning of faith, freedom, happiness and the diabolic satisfaction of our desires.

Read it all. Be warned–this is not short and it is not light bed-time reading; it is, however, well worth the time–KSH.

Ring out, wild bells, to the wild sky,
The flying cloud, the frosty light;
The year is dying in the night;
Ring out, wild bells, and let him die.

Ring out the old, ring in the new,
Ring, happy bells, across the snow:
The year is going, let him go;
Ring out the false, ring in the true.
Ring out the grief that saps the mind,
For those that here we see no more,
Ring out the feud of rich and poor,
Ring in redress to all mankind.
Ring out a slowly dying cause,
And ancient forms of party strife;
Ring in the nobler modes of life,
With sweeter manners, purer laws.

Ring out the want, the care the sin,
The faithless coldness of the times;
Ring out, ring out my mournful rhymes,
But ring the fuller minstrel in.

Ring out false pride in place and blood,
The civic slander and the spite;
Ring in the love of truth and right,
Ring in the common love of good.

Ring out old shapes of foul disease,
Ring out the narrowing lust of gold;
Ring out the thousand wars of old,
Ring in the thousand years of peace.

Ring in the valiant man and free,
The larger heart, the kindlier hand;
Ring out the darkness of the land,
Ring in the Christ that is to be.

–Lord Alfred Tennyson (1809-1892)

Christmas Eve, and twelve of the clock.
“Now they are all on their knees,”
An elder said as we sat in a flock
By the embers in hearthside ease.

We pictured the meek mild creatures where
They dwelt in their strawy pen,
Nor did it occur to one of us there
To doubt they were kneeling then.
So fair a fancy few would weave
In these years! Yet, I feel,
If someone said on Christmas Eve,
“Come; see the oxen kneel,

“In the lonely barton by yonder coomb
Our childhood used to know,”
I should go with him in the gloom,
Hoping it might be so.

–Thomas Hardy (1840-1928)

In Bethlehem
On Christmas Morn
The lowly gem
Of love was born
Hosannah! Christus natus est.

Bright in her crown
Of fiery star
Judea’s town
Shone from afar
Hosannah! Christus natus est.
For bird and beast
He did not come
But for the least
Of mortal scum
Hosannah! Christus natus est.
While beasts in stall
On bended knee
Did carol all
Most joyously
Hosannah! Christus natus est.

Who lies in ditch?
Who begs his bread
Who has no stitch
For back or head
Hosannah! Christus natus est.

Who wakes to weep,
Lies down to mourn?
Who in his sleep
Withdraws from scorn?
Hosannah! Christus natus est.

Ye outraged dust
On field and plain
To feed the lust
Of madmen slain
Hosannah! Christus natus est.

The manger still
Outshines the throne
Christ must and will
Come to his own
Hosannah! Christus natus est.

–Countee Cullen (1903-1946)

On Christmas day I weep
Good Friday to rejoice.
I watch the Child asleep.
Does he half-dream the choice
The Man must make and keep?
At Christmastime I sigh
For my good Friday hope
Outflung the Child’s arms lie
To span in their brief scope
The death the Man must die.
Come Christmastide I groan
To hear Good Friday’s pealing.
The Man, racked to the bone,
Has made His hurt my healing,
Has made my ache His own.
Slay me, pierced to the core
With Christmas penitence
So I who, new-born, soar
To that Child’s innocence,
May wound the Man no more.

–Vassar Miller (1924-1998)

I saw a stable, low and very bare,
A little child in a manger.
The oxen knew him, had Him in their care,
To men He was a stranger.
The safety of the world was lying there,
And the world’s danger.

–Mary Coleridge (1861-1907)

She was five,
sure of the facts,
and recited them
with slow solemnity
convinced every word
was revelation.

She said
they were so poor
they had only peanut butter and jelly sandwiches
to eat
and they went a long way from home
without getting lost. The lady rode
a donkey, the man walked, and the baby
was inside the lady.
They had to stay in a stable
with an ox and an ass (hee-hee)
but the Three Rich Men found them
because a star lited the roof.
Shepherds came and you could
pet the sheep but not feed them.
Then the baby was borned.
And do you know who he was?
Her quarter eyes inflated
to silver dollars.
The baby was God.

And she jumped in the air
whirled around, dove into the sofa
and buried her head under the cushion
which is the only proper response
to the Good News of the Incarnation.

”“ John Shea, The Hour of the Unexpected

The Christ-child lay on Mary’s lap,
His hair was like a light.
(O weary, weary is the world,
But here is all aright.)

The Christ-child lay on Mary’s breast,
His hair was like a star.
(O stern and cunning are the kings,
But here the true hearts are.)

The Christ-child lay on Mary’s heart,
His hair was like a fire.
(O weary, weary is the world,
But here the world’s desire.)

The Christ-child stood at Mary’s knee,
His hair was like a crown.
And all the flowers looked up at Him,
And all the stars looked down.

–G.K. Chesterton (1874-1936)