González herself is an immigrant, from Guatemala, and she calls on that personal testimony to give a firsthand account of the fears, insecurities, and elations of the immigration process. She recalls finding dead bodies on the walk home from school, feeling lost as a non-English speaker in her first US church, and the difficult decision to leave her family home to attend college after the death of her mother.
The biographical portions of González’s story are broken up into thematic chapters following the sacraments of the Catholic church, a faith expression to which she feels some affinity, though she herself is Protestant and her parents were only nominally Catholic at most. The approach is reminiscent of Lauren Winner’s Mudhouse Sabbath, which does the same with Jewish traditions, pointing out their enduring relevance for Winner’s Christian faith.
Alongside her own story, González examines the lives of other “foreigners” in the Bible: Ruth, Abraham, Hagar, Joseph, the Syrophoenician woman (Mark 7:24–30), and the Holy Family. She draws parallels between these vulnerable people and the asylum seekers, refugees, and immigrants US residents encounter in their communities. In looking at these figures in light of their displaced situation, González reminds the reader that upheaval and vulnerability are common to the people of God, and they offer opportunities for God to demonstrate his nature, his concern for them.
It is Hagar, the despised servant of Sarai and mother of Ishmael, who calls Yahweh “El Roi,” or, “the God who sees.” Again and again in the book, we realize that being misunderstood and unknown is at the core of the immigrant experience, giving immigrants a special appreciation for what it means to be seen and known.
“….we mainly tend to think of our own hardships when we relate to Ruth or Joseph. We are less likely to see how God might be identifying with those we are oppressing.”
Interesting read via @CTmagazine https://t.co/P1ja2xD0uy
— BrieAnna Frank (@brieannafrank) July 6, 2019