Though these films neatly complement each other, they are being received rather differently. “The Venerable W.” was shown with pomp at Cannes, while “Sittwe” was banned from the Human Rights Human Dignity International Film Festival in Yangon. This year’s edition was dedicated to Miss Suu Kyi, Myanmar’s de facto leader, with censors deeming the movie “religiously and culturally inappropriate”. Phil Robertson, the deputy director of Human Rights Watch’s Asia division, brands the decision as “ludicrous”. The ban, he explains, reveals the government’s authorities persistent bias against the Rohingya and the reluctance to present them as victims in any capacity. “The Rohingya have been put in a separate, untouchable category by the government, and any real discussion of their situation gets tarred with the same brush.”
“Sittwe” found an audience in Thailand instead. For Lia Sciortino Sumaryono, the director of Southeast Asia Junction, a non-profit organisation which hosted the screenings in Bangkok, the issue is relevant to the whole region. “Extremists movements are increasingly regionalised,” she says, pointing at the several contacts between extremist Buddhist networks in Myanmar, Sri Lanka and Thailand, and those of Islamist groups in the Philippines and Malaysia.
“The Venerable W.” and “Sittwe” offer some insight into a social and religious quagmire. Were the country open to talking meaningfully about relations between Buddhists and Muslims, the films could form part of the discussion. As it is not, acts of violence are likely to continue.
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