MCEVERS: Just describe this what you call rich aesthetic culture that these jihadis have. Besides the weeping during prayer, what else are we talking about here?
HEGGHAMMER: Yeah, so it’s basically a very sensitive aesthetic universe we’re dealing with, with poetry, singing, art, graphic art, visual art and a whole lot of religious rituals – a lot of things that seem to have no purpose, no kind of military function. And this is what got me interested in this to begin with. It was that you had these hunted men – because terrorists are hunted men. They’re short on time and resources. And you should expect them to spend all their time on useful things like building bombs or writing propaganda or raising funds. But here they are doing all these seemingly useless things. And that I thought was really, really fascinating.
MCEVERS: I mean, I think one reason this might be surprising to people is we think of jihadis as people who forbid culture, right? No pictures. No music. No – I mean, music in the sense that we understand it, right?
HEGGHAMMER: That is right. And there are some kind of boundaries to the creative expression here. For example, they don’t use instruments in their music because instruments are believed to have the potential of arousing sexual desires. So they stay clear of instruments. But they use a cappella voices very creatively so it really sounds like music with instruments.
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