Illuminating God’s message of grace in popular culture, including in television shows like “Downton Abbey” and others like “Friday Night Lights” and “Parenthood,” is the cornerstone of Mockingbird, which strives to connect Christianity with everyday life.

Through mbird.com, contributors, including Zahl, analyze film, music, television, literature, social science and humor, dissecting the contents through a Christian understanding.

“We are not trying to cover popular culture,” said Zahl. “But we are trying to reach people through both conscious and unconscious parallels in good art.”

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[Frank] Carson had left school at 14 with no qualifications and became an apprentice electrician, but at 16 switched to being a plasterer. In his spare time he worked on his spiel as a stand-up comic, a talent that earned him regular appearances on Northern Ireland television. When he was 25 he sold some scripts to the regional BBC station, and became a professional entertainer, touring with the Australian magician known as The Great Levante.

Encouraged to try his luck on the northern club scene on the mainland, Carson was spotted by the television producer Barney Colehan and signed up for his first network exposure on the music-hall tribute show The Good Old Days. Meanwhile on ITV, Carson – having thrice won Opportunity Knocks – was also booked to appear on The Comedians by the producer Johnny Hamp.

This was the show that transformed Carson from an obscure club comedian into a comedy star.

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Meryl Streep knew what you were thinking Sunday when they called her name at the 84th annual Academy Awards:

“ ”˜Awwww, come on, her again?!?’ ” she joked, accepting a historic third career Oscar for her portrayal of Margaret Thatcher in “The Iron Lady….”

“The Artist” swept the competition, winning five awards, including best picture, best directing for Michel Hazanavicius, and best actor for Jean Dujardin. It may be the quirkiest feature in years to find favor with the showbiz establishment here ”” black-and-white, French, and did we mention it’s a silent movie? But the charming tribute to Hollywood’s early days had scooped up so many other awards this year it was considered a lock for the Oscar.

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She told ABC’s Diane Sawyer in 2002: “The biggest devil is me. I’m either my best friend or my worst enemy.”

Houston tried to stage a comeback with the 2009 album I Look To You, but things fell apart when a concert to promote the album was clearly off-key.

Broadcaster and music journalist Paul Gambaccini described Whitney Houston’s voice as “the template for female vocal performers for the last 30 years”.

But in the end, he told the BBC, she became the victim of a “self-administered decline” and, sadly, threw all it all away.

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Hollywood veteran Brian Robbins has a new production studio under construction and 35 shows in development. There’s a sitcom set in a high-school bathroom, a talk show modeled on “The View” but hosted by young Twitter celebrities and a series about an outlandish teen wrestling league.

Mr. Robbins, a producer and director known for Eddie Murphy movies and TV shows including “Smallville,” plans to produce 120 hours of teen programming this year, all of it destined exclusively for the Web. “We consider ourselves a network,” he says.

Mr. Robbins is part of a teeming new ecosystem, as some of Hollywood’s biggest names””with support from Silicon Valley’s deepest pockets””are racing to create new shows, and in some cases, dozens of them, for the Web.

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…a sort of evangelistic outreach is planned in conjunction with the rollout of the documentary. Robinson said moviegoers should not expect to see Love Free or Die in many theaters. Instead, the plan is to make a DVD available to individuals and congregations through the film’s website, with an emphasis on group showings for “the movable middle.”

“We are asking that everyone who sees the movie invite a person ”” a family member, a coworker, a former classmate ”” who are among that large group of people who for the most part love us ”” they know us, they think positively about us ”” but they still go in the voting booth and vote against us,” Robinson said. “You know about that here in California.”

Robinson repeatedly referred to an iconic “Aunt Betty” as the film’s target audience. “Make it your project this year to call them up and say, ”˜Aunt Betty, you remember how we had that little altercation at Thanksgiving? Can I get you out for coffee, and let’s talk about that?’” Robinson said. “And then, it looks as if this will be showing on PBS in the fall, and ”¦ we’re working on getting it shown on Thanksgiving weekend. So you’ll be at home with Aunt Betty, and you can have a better conversation this time.”

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Of the 20 or so T-shirts I own, about half make some reference to Jedis, midi-chlorians, or lightsabers. In 1999, on the day Episode I: The Phantom Menace was released, I bought tickets to three consecutive screenings and sat giddily through them all, Jar Jar be damned. When my dear friends had their beautiful baby boy late last year, I was thrilled to buy him a Boba Fett alarm clock desk lamp, the best gift I could imagine. I bought another one for myself.

If you’ve understood most of the references in the paragraph above, you, sadly, belong to the same wretched class of emotionally precarious quasi-adults in whose minds and hearts Star Wars occupies the realms others furnish with accomplishing life goals or forming meaningful relationships. Which is why the next line hurts: George Lucas has ruined our lives.
I don’t mean that in the obvious way, like the sorry stares my friends and I sometimes get from well-balanced, emotionally available adults when they overhear us discussing issues like the politics of Wookie society or why all spaceships seem to always have their engines on in full thrust yet none ever seem to accelerate. What I mean is that those of us reared on Star Wars too easily subscribe to its creator’s facile mythology that sees all religions as nothing more than particular facets of one grand universal myth and that has little use for cultural distinctions or theological depth. As his newly released production, the World War II film Red Tails, clearly shows, George Lucas’ world is a place where good forever battles evil on a landscape that is smooth and flat and unchanging. The same goes for his entire oeuvre.

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The film follows Robinson as the church grapples with how to handle lesbian and gay issues. Robinson’s election brought to a head divisions between liberal and conservative Episcopalians, and between the U.S. church and more conservative members of the worldwide Anglican Communion.

Filmmakers followed Robinson to England in 2008, where he was excluded from the Anglicans’ Lambeth Conference of bishops. And they followed him to the Episcopal Church’s 2009 General Convention, where leaders voted to allow blessings of same-sex marriages, civil unions or domestic partnerships (where legal) and allow gay men and women to become bishops.

Along the way, they interviewed Robinson, his family and other church leaders, many of whom supported his quest for equality and some of whom did not. In one scene, a woman sobs that she is torn between wanting to do what’s best for the people around her while also remaining true to Scripture.

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2011 was a good year for film, and particularly for depictions of faith in film ”” but not in the Hollywood mainstream on either count.

This year, in one Hollywood film after another, religion was strikingly absent in tragic or crisis-filled times. George Clooney was widowed in The Descendants; Matt Damon widowed in both Contagion and We Bought a Zoo; Nicole Kidman bereaved of a child in Rabbit Hole (which had a limited opening in December 2010); all suffered bereavement with scarcely any acknowledgment of religion (except, in Kidman’s case, to reject it). Contagion, in particular, depicted all sorts of social consequences of a global pandemic except the role of faith in times of crisis. The black Baptist church in The Help was a rare exception.

Outside the Hollywood mainstream, it was another story. The French drama Of Gods and Men (easily my favorite film of the year) and the English documentary No Greater Love offered remarkable depictions of monastery life. Passion plays featured in two art films: Polish artist Lech Majewski’s The Mill & the Cross and Milanese architect Michelangelo Frammartino’s Le Quattro Volte (The Four Times).

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Watch it all. It is only just over a minute; you can find a way to watch last season if you missed it and thereby catch up–KSH.

R.J. Williams, host and founder of Young Hollywood…is betting most of his personal savings and free time that two things will make him a next-generation media titan: hard work and YouTube.

That bet goes both ways. Beginning this month, YouTube is gambling $100 million that by seeding professional production firms such as Young Hollywood — whose slate of YouTube-only programming premieres Monday — it will draw more eyeballs for longer viewing sessions.

Williams calls the online video giant’s move a “game-changer” and argues that the growing number of stars who sit on his white sofa — Cruz came to see Williams straight from Jay Leno’s Tonight Show couch — spotlights the emerging clout of Web-only shows.

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The Supreme Court seemed reluctant Tuesday to end the government’s historic policing of the broadcast airwaves and to strike down the “indecency” rules that guide prime-time TV shows.

Broadcasters use the public airwaves, and the “government can insist on a certain modicum of decency,” said Justice Antonin Scalia during oral arguments on the constitutionality of a ban on four-letter words and nudity.

“All we are asking for is for a few channels” where parents can be confident their children will not hear profanity or see sex scenes, said Chief Justice John G. Roberts Jr., who is a parent of two young children.

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Dickens and Disney’s Tiny Tims both hope that those who feel pity for a poor crippled boy in church “”¦ will think of Him who made lame men walk” at Christmas time.

This was a lesson that Dickens meant for adults, as well as children.

There is no separating the generosity we owe to others from the generosity God has shown to us by sending his son to give us new hearts. Christmas shouldn’t just bring out the best in us once a year; it should transform our lives””as it did for Scrooge. Dickens knew where he wanted to end his story, and finished it accordingly:

“Some laughed to see the alteration in [Scrooge] but he let them laugh … he knew how to keep Christmas well, if any man alive possessed that knowledge. May that be truly said of us, and all of us! And so, as Tiny Tim observed, God bless us, every one!”

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The cast and producers of “All-American Muslim,” a reality-TV show that has been a lightning rod for controversy, said Wednesday (Dec. 14) they are helping change negative perceptions of Muslims, and rejected criticisms that the show is propaganda that sugarcoats Islam.

“These are our lives. This is what we’ve been doing for years,” said Mike Jaafar, a sheriff’s deputy in the Wayne County Sheriff’s Department, who appears on the show that follows the everyday lives of Muslims in and around Dearborn, Mich.

“The charge of propaganda is based on the fact that the reality of the Muslim American experience does not jibe with their preconceptions of what Islam is,” said Reza Aslan, co-founder of BoomGen Studios, which is helping promote the show.

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It’s that time of year when we start watching favorite Christmas movies, and for many, the list begins with Frank Capra’s It’s a Wonderful Life. When we think of Capra’s films, it’s easy to break into a smile, for he was “the great constructor of happy endings,” as biographer Vito Zaggiro has written.

But Zaggiro doesn’t stop there. In the very same sentence””in his article titled “It’s (Not) A Wonderful Life: For a Counter-Reading of Frank Capra,” Zaggiro notes that the director’s films also often “represented enormous social contradictions and conflict that clash with the surface message of his films….”

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If we have committed our lives to God, we have done so because we are persuaded that he is real and good. But daily acting on that trust means repeatedly reminding ourselves of his character, in specific and concrete ways. After all, we have an enemy bent on spurring distrust.

So if you watched The Virgin Diaries this weekend, go read Song of Solomon or Genesis 2 or Exodus or Isaiah or the Gospels. Or ask a friend to tell you about a time God showed up and took care of him or her. Retell some of your own stories. You may even want to revisit physical artifacts of such encounters with his faithfulness, be they a car or a purse, a scar or a book or even a street.

There are too many sneering caricatures of our God out there for us to just passively trust him. Loving God with our whole heart, might, and soul takes deliberate, repeated retelling and richly embodied practices.

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(Please note–the content of this article may not be suitable for some blog readers–KSH).

The invention of sex addiction reflects the culture’s deep-rooted fear that too much sex without commitment is bad for you.

Interestingly, there’s no proof of that. In fact, sex addiction isn’t even an accepted disease among most psychiatric and psychological organizations in the world. The American Psychiatric Association no longer includes it as a pathology in its Diagnostic and Statistical Manual. This is largely because there is no consensus even among researchers of exactly what an addiction is ”“ there are as many definitions of addiction as there are treatment centres….

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In 1983, Morgan spoke at a press conference about ending a series so beloved that the last show drew a record 125 million viewers. He said someone had asked him if he thought M*A*S*H had made him a better actor.

“And I said I didn’t know about that, but I know it’s made me a better human being and there aren’t many shows you can say that about,” he said.

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How do you ask a room full of executives, actors, writers and producers expecting humor to forgive someone of an offense? That was exactly what happened recently at the Cinematheque Award Ceremony when Robert Downey Jr. received the prestigious honor.

During Downey Jr.’s acceptance speech, he said. “I asked Mel to present this award for me for a reason. When I couldn’t get sober, he told me not to give up hope and encouraged me to find my faith. It didn’t have to be his or anyone else’s as long as it was rooted in forgiveness. And I couldn’t get hired, so he cast me in the lead of a movie that was actually developed for him. He kept a roof over my head and food on the table and most importantly he said if I accepted responsibility for my wrongdoing and embraced that part of my soul that was ugly ”“ hugging the cactus he calls it ”” he said that if I hugged the cactus long enough, I’d become a man.

“ . . he asked in return that someday I help the next guy in some small way. It’s reasonable to assume at the time he didn’t imagine the next guy would be him or that someday was tonight. So . . . I would ask that you join me, unless you are completely without sin . . . in forgiving my friend his trespasses and offering him the same clean slate you have me.”

Who would have thought 10 years ago that Robert Downey Jr. would have such care for another actor to plea for someone else’s forgiveness, and such respect in the community that the audience would respond in applause and thereby give forgiveness implicitly.

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G. K. Chesterton once wrote, “It is the test of a good religion whether you can joke about it.” If one can say with confidence that those on the extreme ends of the political and religious spectrum””left or right””are not known for their senses of humor, Henson surely must have been on to something. Where others found potential bitterness, he found the thread of human foibles; his lighthearted irreverence was as universal as the appeal of his characters.

Henson may have preached self-belief, but all his stories find people desperately in need of (and finding!) help from others. Despite the sometimes insufferable can’t-we-all-just-get-along aspect of Sesame Street (and let’s face it, Fraggle Rock) much of Henson’s work dealt more seriously with human suffering, both self-inflicted and otherwise. The Dark Crystal (1982) is nothing if not a parable of Fall and Redemption, and Labyrinth (1986) has a distinctly Pilgrim’s Progress-like, um, progression. Henson may have believed with all his heart in a “positive view of life,” but his work reflects a larger truth.

Indeed, Henson understood that to truly reach another person, you must aim beyond the intellect, at the heart””at the unguarded, joyful corner of the soul known as the inner child, which, incidentally, is where Jesus was especially focused.

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For a man pretending to be a vicar, it was high praise indeed.

The night before this interview, actor Tom Hollander and his co-stars from Rev went for drinks with the Archbishop of Canterbury, Rowan Williams.

And the verdict from the country’s most senior churchman? He declared Tom’s portrayal of put-upon Reverend Adam Smallbone “pitch perfect” and revealed he is a firm fan of the hit BBC2 show.

Tom, 44, says: “We went to Lambeth Palace and it was thrilling. One of the few relaxing things about being Archbishop of Canterbury is that you can have lovely drinks parties that people turn up to….

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“The only time I watch TV news now is when I’m staying in a hotel and I feel so old….There’s the stock ticker and the news crawl and those flashing graphics and eight heads screaming at each other and one’s in Tel Aviv and the other in Atlanta. It’s crazy. But after a week of it, I find myself craving it. I find my brain expanding in that chaos.”

–Composer Nico Muhly in this morning’s Wall Street Journal

Watching television or videos is discouraged for babies younger than 2 because studies suggest it could harm their development, a pediatricians’ group said Tuesday.

Instead of allowing infants to watch videos or screens, parents should talk to them and encourage independent play, said the first guidelines on the subject issued in more than a decade by the American Academy of Pediatrics.

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The sad truth is that while some of us are naturally curious about what we don’t know, an increasing number of readers and viewers want only reinforcement of what they already know. While it’s not the job of media to force-feed news to an uninterested audience, the system worked better when some news and information just happened to rub off.

Personally, I’ve always relied upon great editors and great broadcasters to tell me what they think is important each day. I’m determined to form my own opinions, but I’m not so audacious as to think I know what’s important without professional help.

One of my favorite news slogans is one used for decades by the Scripps newspaper chain: “Give light and the people will find their own way.” Yet in modern communications we seem to give off more heat than light, leaving too many information-loaded consumers stumbling around in the dark.

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A Nielsen report estimates the average American over age 2 spent nearly 159 hours/month in Q1 watching TV, compared with less than 26 hours/month using the web on a computer, and less than 5 hours/month watching online video.

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