Category : Movies & Television

Al Mohler–Downton Abbey: Do Americans Really Know what they are Watching when they view it?

…most viewers are likely unaware of what they are actually seeing. They are not merely watching an historical drama, they are witnessing the passing of a world. And that larger story, inadequately portrayed within Downton Abbey, is a story that should not be missed. That story is part of our own story as well. It is the story of the modern age arriving with revolutionary force, and with effects that continue to shape our own world.

Downton Abbey is set in the early decades of the twentieth century. Though by season four King George V is on the throne, the era is still classically Edwardian. And the era associated with King Edward VII is the era of the great turn in British society. The early decades of the twentieth century witnessed a great transformation in England and within the British Empire. The stable hierarchies of Downton Abbey grew increasingly unstable. Britain, which had been overwhelmingly a rural nation until the last decade of the nineteenth century, became increasingly urban. A transformation in morals changed the very character of the nation, and underlying it all was a great surge of secularization that set the stage for the emergence of the radically secular nation that Britain has become.

Viewers should note the almost complete absence of Christianity from the storyline. The village vicar is an occasional presence, and church ceremonies have briefly been portrayed. But Christianity as a belief system and a living faith is absent””as is the institutional presence of the Church of England.

Political life is also largely absent, addressed mainly as it directly affects the Crawleys and their estate. This amounts to a second great omission.

Read it all.

Posted in * Anglican - Episcopal, * Culture-Watch, * International News & Commentary, Anglican Provinces, Children, Church of England (CoE), England / UK, Ethics / Moral Theology, History, Marriage & Family, Movies & Television, Religion & Culture, Theology

The Christian faith of the ”˜American Sniper’ that you won’t see in the film

Chris Kyle, often described as the most lethal sniper in U.S. military history, wrote in his autobiography that he prioritized his life in the following order: God, country, family.

But God doesn’t make a central appearance in the film “American Sniper,” which opens nationwide on Friday (Jan. 16). The film offers a few similarities to “Unbroken,” Angelina Jolie’s recent World War II epic about POW Louis Zamperini.

Both stories focus on the dramatic stories of warriors who died before the movie versions of their lives came out. Both “American Sniper” and “Unbroken” include an early scene of their families sitting in church. Both men struggle with substance abuse after returning from war.

And both films largely skirt the faith that Kyle and Zamperini said were key to their identity ”” and their survival.

Read it all.

Posted in * Culture-Watch, * Economics, Politics, Defense, National Security, Military, Ethics / Moral Theology, History, Movies & Television, Religion & Culture, Theology

(GR) Terry Mattingly–Why are 'Christian movies' so bad?

…we’re talking about, well, you know ”“ “Christian movies.” The kinds of movies that resemble fundraising letters aimed at people in niche pews. Yes, Hollywood makes some preachy movies, too. That’s a topic for another day, another podcast.

But why are those “Christian movies” so bad? Another Christian in the Hollywood mainstream, David “Home Improvement” McFadzean once offered up this brutal quote: The typical “Christian movie” is very similar to a porno movie. “It has terrible acting. It has a tiny budget. And you know exactly how it’s going to end.”

Ouch. Anyway, this was the topic that loomed in the background this week as “Crossroads” host Todd Wilken and I discussed my recent Universal syndicate column about the Angelina Jolie movie version of “Unbroken,” which was based on parts ”“ wait for it ”“ of the amazing “Unbroken” bestseller by Laura Hillenbrand.

Read it all.

Posted in * Culture-Watch, Movies & Television, Religion & Culture

(WSJ) Grant Wacker–”˜Unbroken’ skimps on the pivotal role of Billy Graham

Though Ms. Hillenbrand recounts Zamperini’s conversion, she doesn’t say much about how it influenced the rest of his life. In the movie “Unbroken,” Billy Graham goes unmentioned, and Zamperini’s redemption narrative is largely reduced to a few title cards flashed before the closing credits. Yet Zamperini himself believed that the religious event was the pivotal moment of his long journey. In his 2003 memoir””titled, like one he published in 1956, “Devil at My Heels”””Zamperini recounts the tent-revival experience in detail and thanks Billy Graham in the acknowledgments “for his message that caused me to turn my life around.”

In some ways the 1949 revival was also a turning point for Billy Graham: The Hollywood-handsome Southern evangelist had started his crusade ministry in 1947, when he was 29 years old, but it was the success of his Los Angeles Crusade that brought him to national prominence. The revival went on for eight weeks, with Mr. Graham preaching 65 full sermons. He addressed nearly 350,000 attendees, and by the end 3,000 people had committed their lives to Christ.

Those numbers prefigured things to come. When Mr. Graham retired from public life nearly seven decades later, more than three million souls who heard his sermons had signed commitment cards pledging their faith.

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Posted in * Culture-Watch, * Religion News & Commentary, Books, Evangelicals, History, Movies & Television, Other Churches, Religion & Culture

ESPN's Stuart Scott RIP

Stuart Scott, a longtime anchor at ESPN, died Sunday morning at the age of 49.

Among the features of the new ESPN studio in Bristol is a wall of catchphrases made famous by on-air talent over the years. An amazing nine of them belong to one man — from his signature “Boo-Yah!” to “As cool as the other side of the pillow” to “He must be the bus driver cuz he was takin’ him to school.”

That man is Stuart Scott, and his contributions to the sports lexicon are writ large. But they are only one aspect of his legacy. When he passed away, he left behind so much more. He inspired his colleagues with his sheer talent, his work ethic and his devotion to his daughters, Taelor, 19, and Sydni, 15. He defied convention and criticism to help bring this network into a new century. He spoke to the very athletes he was talking about with a flair and a style that ESPN president John Skipper says, “changed everything.”

Read it all.

Posted in * Christian Life / Church Life, * Culture-Watch, Death / Burial / Funerals, Media, Movies & Television, Parish Ministry, Sports

Edward Herrmann, Actor With a Noble Air, Dies at 71

Edward Herrmann, a stalwart American actor of patrician bearing and earnest elocutionary style who became familiar across a spectrum of popular entertainment, from movies and television shows to plays, audiobooks and advertisements, died on Wednesday in Manhattan. He was 71.

The cause was brain cancer, his son, Rory, said.

Well over six feet tall, broad-shouldered and, especially in later years, hefty, Mr. Herrmann could be formidable or friendly, authoritative or milquetoast, insistent or obsequious. He was often cast in the role of an affluent or privileged personage; he played lawyers, judges, headmasters, executives, a lot of millionaires.

More often than most actors, he had a tuxedo ”” or at least a suit ”” as a costume, but his characters could be comic or dramatic, as likely to be stuffed shirts as genuinely commanding men.

Posted in * Christian Life / Church Life, * Culture-Watch, Death / Burial / Funerals, Movies & Television, Parish Ministry

Steven Greydanus–'The Hobbit: The Battle of Five Armies' betrays J R R Tolkien's Catholic themes

One example Jackson pointed to was an evocative passage adapted from Tolkien’s “The Fellowship of the Ring” as a poetic account of life after death placed on the lips of Ian McKellen’s Gandalf in “The Return of the King”: “The journey doesn’t end here ”¦. The grey rain-curtain of this world rolls back, and all turns to silver glass ”¦. and then you see it: white shores, and beyond ”¦. a far green country under a swift sunrise.”

This is a lovely gloss on Tolkien ”” and there are similar spiritually themed touches in the “Rings” movies. Yet in the latest “Hobbit” movie, where Tolkien has a dying character utter the memorable line, “I go now to the halls of waiting to sit beside my fathers, until the world is renewed,” the film version unconscionably omits this line entirely.

Changes like these are sadly typical of the “Hobbit” prequel trilogy, which is far cruder and less sensitive to the charm and beauty of its source material than the “Lord of the Rings” films were. As bad as Christopher Tolkien’s fears in 2012 about “The Hobbit” films might have been, the reality is worse.

Read it all from Crux.

Posted in * Culture-Watch, * International News & Commentary, Anthropology, Books, Christology, England / UK, Movies & Television, Theology

(Bloomberg) North Korea Threatens Greater Pain If Punished Over Sony Hacking

North Korea warned that any U.S. punishment over the hacking attack on Sony Pictures Entertainment would lead to damage “thousands of times greater,” with targets including the White House and Pentagon.

Hackers including the “”˜Guardians of Peace’’ group that forced Sony to pull a comedy about the assassination of Kim Jong Un ”˜”˜are sharpening bayonets not only in the U.S. mainland but in all other parts of the world,’’ the Kim-led National Defense Commission said in a statement published yesterday by the official Korean Central News Agency. Even so, North Korea doesn’t know who the Guardians are, the commission said.

North Korea has called on the U.S. to hold a joint investigation into the incident, after rejecting the conclusion by the Federal Bureau of Investigation that it was behind the attack. President Barack Obama said last week that Sony had ”˜”˜suffered significant damage,’’ and vowed to respond to North Korea ”˜”˜in a place and time and manner that we choose.’’

Read it all.

Posted in * Culture-Watch, * Economics, Politics, * International News & Commentary, --Social Networking, America/U.S.A., Asia, Blogging & the Internet, Defense, National Security, Military, Ethics / Moral Theology, Foreign Relations, Movies & Television, North Korea, Politics in General, Science & Technology, Theology

(The Atlantic) Noah Berlatsky–Peter Jackson's Violent Betrayal of Tolkien

“True courage is knowing not when to take a life, but when to spare one,” Gandalf tells Bilbo in Peter Jackson’s The Hobbit: An Unexpected Journey.*

Gandalf’s homily doesn’t appear in Tokien’s original novel The Hobbit. Still, the sentiment has some textual support….

[However]…if Jackson meant for Gandalf’s comment to highlight Tolkien’s nonviolent ethic, though, the rest of his film undercuts it””and, indeed, almost parodies it. The scene where Bilbo spares Gollum in the movie comes immediately after an extended, jovially bloody battle between dwarves and goblins, larded with visual jokes involving decapitation, disembowelment, and baddies crushed by rolling rocks. The sequence is more like a body-count video game than like anything in the sedate novel, where battles are confused and brief and frightening, rather than exuberant eye-candy ballet.

The goblin battle is hardly an aberration in the film. I had wondered how Peter Jackson was going to spread the book over three movies. Now I know: He’s simply added extra bonus carnage at every opportunity. The dwarves, who in the novel are mostly hapless, are in the film transformed into super-warriors, battling thousands of goblins or orcs and fearlessly slaughtering giant wolves three-times their size.

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Posted in * Culture-Watch, Books, Ethics / Moral Theology, Movies & Television, Theology, Violence

Do Not Take Yourself too Seriously Dept–Jimmy Fallon's Segment on things going wrong at Christmas

I really loved this–watch it and see what you think–KSH.

Posted in * Christian Life / Church Life, * Culture-Watch, * General Interest, Christmas, Church Year / Liturgical Seasons, Humor / Trivia, Movies & Television

It's not Censorship, Just Cowardice: On Sony's Decision to Shut Down "The Interview"

What a strange week it’s been in Hollywood. Tuesday night we actually had a thunderstorm. For those who don’t know Southern California, that’s like saying House Republicans think our country might have a race problem. Or Woody Allen is considering property in Malibu. Or the new Missal really seems to be catching on. (“Under our roof,” translators? “Under our roof”?)

There was even lightning, for God’s sake.

Then yesterday, hack-beleaguered Sony Pictures actually stopped distribution of major motion picture “The Interview,” maybe forever, after the United States’ five major theater chains refused to show it for fear of a 9/11-style attack on any theater that did.

To say the Internet was not happy with this series of events would be an understatement. Hollywood writer/director/producer Judd Apatow called the chains’ decision “disgraceful” and wondered, along with many others, what’s next: “Will they pull any movie that gets an anonymous threat now?” Many called it a sad day for creative expression, and feared that this forebodes a dangerous new self-censorship. Rob Lowe compared Hollywood to Neville Chamberlain (to which the nation of Czechoslovakia replied, “Mmm, Rob, I think not”). Newt Gingrich went so far as to call the hackers’ threat an “act of war,” forgoing the need for an act of war to involve an actual act. Forget the pesky details, there’s really never a bad time for a little preemption.

Read it all from America.

Posted in * Culture-Watch, * Economics, Politics, * International News & Commentary, America/U.S.A., Asia, Blogging & the Internet, Corporations/Corporate Life, Defense, National Security, Military, Economy, Ethics / Moral Theology, Foreign Relations, Law & Legal Issues, Movies & Television, North Korea, Politics in General, Science & Technology, Theology

(WSJ) Charlotte Allen–Filmmaker Ridley Scott makes an ”˜Exodus’ Not Found in the Bible

Director Ridley Scott ’s $140 million “Exodus: Gods and Kings” isn’t exactly drowning in a red sea, but its $24.1 million opening box office last weekend wasn’t spectacular, either””nearly $20 million below that for March’s “Noah,” another expensive biblical epic. Like “Noah,” this movie had a director who couldn’t bring himself to believe in the story he was telling.

Mr. Scott is famously hostile to faith. The “biggest source of evil is of course religion,” he told Esquire in 2012. Theoretically, that shouldn’t make a difference to his moviemaking.[…but it has].

Mr. Scott’s Moses (Christian Bale) not only can’t match Charlton Heston; his job is not to try. This Moses is a 21st-century skeptic who, instead of becoming the instrument of God in freeing the Israelites from Egyptian bondage, sits back and calls God “cruel” and “inhumane” for visiting plagues upon Egypt. Gone is the rhythmic narration in the Book of Exodus (and DeMille’s movie) in which Moses travels again and again to the pharaoh to demand, “Let my people go” (not uttered in the new movie). God, for his part, is depicted as a vengeful 11-year-old brat ( Isaac Andrews ) who resembles no one so much as Joffrey, the nasty child-tyrant in HBO’s “Game of Thrones.”

Read it all.

Posted in * Anglican - Episcopal, * Culture-Watch, * International News & Commentary, America/U.S.A., Episcopal Church (TEC), History, Movies & Television, Religion & Culture, Theology, Theology: Scripture

(Guardian) 2014's top Google searches – from Robin Williams to Conchita Wurst

Comedian and actor Robin Williams, who died earlier this year, was the top search on Google during 2014.

The search engine has released its list of this year’s most searched for news events and top trending subjects. Williams’ death drew more attention than the World Cup (2nd), Ebola (3rd) or Malaysia Airlines (4th).

Read it all.

Posted in * Culture-Watch, * Economics, Politics, Anthropology, Consumer/consumer spending, Corporations/Corporate Life, Economy, Ethics / Moral Theology, Globalization, Health & Medicine, Media, Movies & Television, Science & Technology, Terrorism, Theology

(TGC) How to Ruin a Moses Movie A Review of 'Exodus: Gods and Kings'

In retrospect, it appears we may have been too hard on Noah.

When Darren Aronofsky’s movie about a family and a flood was released in March, many of us thought it was going to be the worst big-budget Bible-based movie of 2014. But with two weeks to go before the deadline, Ridley Scott slipped in an entry that is even worse.

Exodus: Gods and Kings had the potential to be one of the greatest films of all time; instead it’s one of the worst movies of the year. Director Ridley Scott aspired to produce the next Ten Commandments (1956) and instead gave us a revisionist version of the story that is almost as lame as the justifiably forgotten Wholly Moses! (1980).

In the future, this movie should be taught in film schools to show all the ways a movie based on a Bible story can go wrong.

Read it all.

Posted in * Culture-Watch, * International News & Commentary, America/U.S.A., Movies & Television, Religion & Culture, Theology, Theology: Scripture

(RNS) Jonathan Merritt–”˜Exodus’ underwhelms at box office. Did #BoycottExodusMovie work?

Even though Ridley Scott’s ”˜Exodus’ won the box office crown this weekend, it only earned an estimated $24.5 million, performing lower than studio executives hoped. While it is difficult to determine why many moviegoers chose to stay home, some have speculated that Scott’s casting decisions had something to do with it. – See more at: http://jonathanmerritt.religionnews.com/2014/12/15/exodus-underwhelms-box-office-boycottexodusmovie-work/#sthash.up1koZgo.dpuf

Read it all and watch the interview.

Posted in * Culture-Watch, Movies & Television, Religion & Culture

(F Things) Robert Reed–Gnosticism 2.0: Interstellar and the Religion of Science

Interstellar’s scientific pretensions capture the religious spirit of our times. What should we make of all the talk of the incompatibility of science and religion? Nothing: Longing for future glory is alive and well among the scientifically literate. Some of their own apparently comprise the most fervent devotees of future hope, displaying the same desire for human transcendence as the ancients but clothing it in modern science. Interstellar is worth reflecting on, not for any dubious relation it may bear to our future, but because of its indebtedness to the past: It is an ancient myth retold and centuries of scientific progress have diminished none of its appeal.

Read it all.

Posted in * Culture-Watch, Anthropology, Ethics / Moral Theology, History, Movies & Television, Philosophy, Religion & Culture, Science & Technology, Theology

(RNS) Billy Graham, Louis Zamperini and the two nights in 1949 that changed their lives

Two October evenings in 1949 brought together an alcoholic war hero and a fiery young evangelist. From then on, neither would be the same.

The preaching in that rented circus tent in Los Angeles changed Louis Zamperini, then 32 ”” who put away the bottle forever and devoted the rest of his life to Christian testimony and good works.

And those Los Angeles nights also changed the preacher, Billy Graham, and the future course of American evangelicalism as well. In Graham’s autobiography, “Just As I Am,” he calls that chapter of his life “Watershed.”

On Christmas Day, a movie directed by Angelina Jolie about Zamperini’s extraordinary survival amid the horrors of Japanese POW camps opens in theaters. “Unbroken,” is based on the award-winning book by Laura Hillenbrand.

Read it all.

Posted in * Culture-Watch, * International News & Commentary, * Religion News & Commentary, America/U.S.A., Books, Evangelicals, History, Movies & Television, Other Churches, Religion & Culture

(RNS) Will Angelina Jolie’s ”˜Unbroken’ disappoint Christians? It depends

The film doesn’t ignore faith, but it includes no mention of Jesus or Graham. Faith is portrayed more generically ”” unlike the 2010 book by Hillenbrand (she also wrote the best-selling “Seabiscuit”), which was praised by Christian readers for capturing the drama of Zamperini’s conversion.

Zamperini died from pneumonia on July 2 at age 97. His son, Luke Zamperini, is helping promote the film.

Jolie’s role as director prompted questions about the film’s faith element; given Jolie’s own lack of faith, some reviewers questioned whether the actress would give short shrift to Zamperini’s faith.

“There doesn’t need to be a God for me,” Jolie said in 2000. “There’s something in people that’s spiritual, that’s godlike.” Her husband, actor Brad Pitt, has said he is “probably 20 percent atheist and 80 percent agnostic.”

Read it all.

Posted in * Culture-Watch, * Religion News & Commentary, Anthropology, Books, Ethics / Moral Theology, Evangelicals, History, Movies & Television, Other Churches, Religion & Culture, Theology

A decision I agree with–Jimmy Fallon Named Entertainer of the Year

As good a year as it was for Groot and company, there was one person who stood apart: Jimmy Fallon, EW”˜s 2014 Entertainer of the Year. In his first year as host of The Tonight Show, the 40-year-old turned the revered late-night franchise into the hottest party in town, a celebrity playpen full of games, music, surprise guests, and good vibes all around. Where else could you see Emma Stone shut down a lip-sync battle or Will Smith do the Stanky Legg? The fun is so infectious that even Barbra Streisand decided to return as a guest, a thing she hasn’t done in over 50 years. All the while, Fallon managed to do something almost no one expected: get the Tonight Show”˜s ratings to increase from when it was in Jay Leno’s hands a year ago

Read it all.

Posted in * Culture-Watch, * General Interest, * International News & Commentary, America/U.S.A., Humor / Trivia, Movies & Television

(GR) Terry Mattingly–Was the Wash Post all that interested in the heart and soul of Tom Hanks?

Does Hanks know that the word “Mysteries” — with a big “M” ”“ is at the heart of all Orthodox Christian discussions of faith and theology? I think that is a safe assumption. Does he know that he can use the word “mystery” in a secular forum and few reporters will know that? Maybe.

So what is my point? Am I arguing that the Post needed to devote a large chunk of its Kennedy Center Honors feature on Hanks to the role that Christian faith does or does not play in the actor’s life and career?

Well, if part of the point of the story is that this complex man ”“ often hailed for his moral convictions and character ”“ has kept essential parts of his life quite closeted, I think it might have been interesting to ask why. That might include at least a few sentences about his family and his faith.

Think about it. You see, the contents of his mind and his soul might have SOMETHING to do with his art.

Perhaps there is a reason that he keeps some parts of his life private, yet not all that private. I mean, what kind of Hollywood superstar burns crosses into the frames of his doorways?

Read it all.

Posted in * Culture-Watch, * International News & Commentary, * Religion News & Commentary, America/U.S.A., Children, Marriage & Family, Movies & Television, Orthodox Church, Other Churches, Religion & Culture, Theology

(NYT) David Carr–Calling Out Bill Cosby's Media Enablers, Including Myself

With public revulsion rising in response to snowballing accusations that Bill Cosby victimized women in serial fashion throughout his trailblazing career, the response from those in the know has been: What took so long?

What took so long is that those in the know kept it mostly to themselves. No one wanted to disturb the Natural Order of Things, which was that Mr. Cosby was beloved; that he was as generous and paternal as his public image; and that his approach to life and work represented a bracing corrective to the coarse, self-defeating urban black ethos.

Only the first of those things was actually true….

We all have our excuses, but in ignoring these claims, we let down the women who were brave enough to speak out publicly against a powerful entertainer.

Read it all.

Posted in * Culture-Watch, * International News & Commentary, America/U.S.A., Children, Ethics / Moral Theology, History, Marriage & Family, Media, Men, Movies & Television, Psychology, Theology, Violence, Women

Saturday Afternoon Laughter–Things that went Terribly wrong at Thanksgiving with Jimmy Fallon

Enjoy it all.

Posted in * Culture-Watch, * General Interest, Humor / Trivia, Movies & Television

(WSJ) Giant of Stage and Screen, Mike Nichols Dies at 83

It isn’t hard to figure out what made Mr. Nichols so competitive. Born in Berlin in 1931, he got out of Germany at the age of 7, mere steps ahead of the Holocaust. After that, nobody had to tell him that Jews got no favors. Characteristically, he claimed that it was an advantage. “The thing about being an outsider,” he said in 2012, “is that it teaches you to hear what people are thinking because you’re constantly looking for the people who just don’t give a damn.”

Mr. Nichols made his name in the ’50s by improvising supremely sharp-witted comedy routines with Elaine May. The lightning-quick timing that he cultivated on nightclub stages served him well when he took up directing in 1963. During a rehearsal for the Broadway premiere of Neil Simon’s “The Odd Couple,” he got into a shouting match with Walter Matthau. “You’re emasculating me!” the actor shouted. “Give me back my balls!” “Certainly,” Mr. Nichols replied, then snapped his fingers to summon the stage manager. “Props!”

Mr. Nichols’s work was unshowy, even self-effacing. “It’s not a filmmaker’s job to explain his technique, but to tell his story the best way he can,” he said. Hence no one will ever think of him as a groundbreaker, a radically original creative artist. He was, rather, an interpreter, and in the studio he almost always did his best work with familiar material like Edward Albee’s “Who’s Afraid of Virginia Woolf?” (his first film) and the TV version of Tony Kushner’s “Angels in America,” both of which clearly convey the visceral impact of the plays on which they were based. Few of his other films will be as well remembered. Even 1967’s “The Graduate,” which vaulted him into the pantheon of Hollywood superstars, now looks like a period piece, a carefully posed snapshot of a key moment in postwar American culture.

But the fact that Mr. Nichols did make films means that he himself will likely be remembered longer than any other American stage director of his generation.

Read it all.

Posted in * Christian Life / Church Life, * Culture-Watch, * International News & Commentary, America/U.S.A., Death / Burial / Funerals, Movies & Television, Parish Ministry, Theatre/Drama/Plays

(CT) W. David O. Taylor–Where We lost the Marriage Plot

According to a former editor of Marvel Comics, one reason why the graphic novel has nearly universally eschewed marriage is that it “kills a good story.” Whatever could be exciting about Clark Kent if he were to remain married to Lois Lane? Not much, apparently, because DC Comics erased the 1996 marriage from history, returning Superman to bachelorhood, the preferred state of our superheroes.

Exceptions exist, of course. Amour, The Incredibles, and In America, along with many Tyler Perry films, focus on and celebrate marriage. Recent movies, such as Drinking Buddies, also trace the relation between friendship and romance, and even between friendship and marriage, explored, for example, throughout the Harry Potter franchise.

One marvelous exception is the critically acclaimed television series Friday Night Lights (FNL), which aired from 2006 to 2011. It tells the story of ordinary people in a small Texas town and their impassioned love of football. But, as Basinger notes, FNL is not so much a show about football as it is “a show about how marriage works when it actually does work.” For critics and fans alike, there has arguably never been a more honest marriage portrayed on the screen than that of coach Eric and Tami Taylor.

Theirs, unfortunately, remains the exception. More common on the small and large screen is the sense that marriage, particularly traditional marriage, is dull and irrelevant as storytelling material. More usual is the view that, “as in the days of the judges,” each one does with marriage what seems right in his or her eyes, whether in “open,” “free,” or “transgressive” style.

Read it all.

Posted in * Culture-Watch, * Religion News & Commentary, Anthropology, Ethics / Moral Theology, Evangelicals, Marriage & Family, Movies & Television, Other Churches, Pastoral Theology, Religion & Culture, Theology

Do Not Take Yourself too Seriously Dept–Jimmy Fallon's recent Kid Letters' Segment

Watch it all–loads of fun.

Posted in * Culture-Watch, * General Interest, Children, Humor / Trivia, Movies & Television

Split Your Sides Hilarious–5 Must-See Benedict Cumberbatch Moments

Watch them all.

Posted in * Culture-Watch, * General Interest, * International News & Commentary, England / UK, Humor / Trivia, Movies & Television

CT's Andy Crouch: For the Life of the World: Letters to the Exiles is "a brilliant new film series"

A curriculum of seven films each lasting 15 to 20 minutes, For the Life of the World: Letters to the Exiles advances a sophisticated theological anthropology. Schmemann’s breathtaking sacramental view of ordinary life is here, as are Kuyper’s distinctive spheres. Kuyper’s fellow Dutch Reformed thinkers Herman Bavinck and Lester DeKoster contribute a high view of common grace and human work, respectively. Catholic theologians such as Josef Pieper and Hans Urs von Balthasar testify to the significance of the family and the centrality of beauty to the Christian life. Rigorously careful with its language, the curriculum unapologetically resorts to Greek in its first and last episodes to articulate core concepts of oikonomia (stewardship), anamnesis (remembering), and prolepsis (anticipation).

Though true, the preceding paragraph is almost comically misleading. Because from that description you would surely never guess that our protagonist is a manically expressive 20-something named Evan (Evan Koons, who cowrote the script). Evan lives in a house filled with retro bric-a-brac, furnished circa 1940, and undisturbed by any technology invented since 1983. He is given to playing the ukulele, declaiming poetry, drinking lemonade from Mason jars””and to breaking the fourth wall, freezing the frame, and scrambling narrative sequence, using every trick of the postmodern visual storyteller.

When we meet him, Evan is in the throes of a quarter-life crisis. He’s sure that if faith means anything, it must have implications for everything, but finds little guidance from the church toward a viable calling in a pluralistic world. Evan begins the series, and ends every episode, handwriting a letter to his fellow Christians: “Dear Everybody.” The question that Evan finds most worrying is, “What is our salvation for?”

Read it all.

Posted in * Culture-Watch, Movies & Television, Religion & Culture

(Liv. Church) Grantchester and Archbishop Runcie

Interviewed in 1979 when his father Robert Runcie was announced as the 101st Archbishop of Canterbury, James Runcie, then a 20-year-old Cambridge student, told a reporter he wasn’t terribly certain about things of faith. In the years that followed, almost imperceptibly, that started to change. Towards the end of his time at Canterbury the elder Runcie hinted as much. “For our children growing up, music was compulsory, religion was optional.” Now, he said, both his offspring seemed much “more interested” in the latter.

Religion and faith are at the fore in James Runcie’s Grantchester, which premiered on ITV October 6. His fourth novel in the series is due for publication next May. The chief character is a clergyman-cum-sleuth Canon Sidney Chambers (James Norton), whom Runcie cheerfully admits is a loosely based on his late father.

James Runcie builds in characters bearing associations with family and friends. Sidney is named after Sidney Smith, one of his father’s favourite vicars. In the first of the series Chambers is intrigued by a piano-playing German woman who loves Bach (James Runcie’s mother, Lindy, was a piano teacher). “I didn’t intend them to be a fictionalised, alternative biography of my father ”” and I still hope they aren’t ”” but one cannot easily escape a strong paternal influence.”

Read it all.

Posted in * Anglican - Episcopal, * Culture-Watch, Anglican Provinces, Archbishop of Canterbury, Church of England (CoE), Movies & Television

Movie Recommendation–Jean de Florette+Manon des Sources (Manon of the Spring) [1986]

I happened to come across these this week, and I haven’t seen them since 1990 when we first caught them on boxing Day in England (really). French with english subtitles, beautifully filmed, and, perhaps most notably, full of Christian themes–KSH.

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(Telegraph) Prof Brian Cox: 'There’s a naivety in saying there is no God’

When I ask him how God fits into his understanding of the universe, Prof Cox says: “It doesn’t at all. I honestly don’t think about religion until someone asks me about it.” And that’s because, he explains, science is not about asking grand questions but very simple ones. The way to find out answers to big questions is “almost accidentally”.

Using physics that is beyond me, Prof Cox explains how his fridge shows that there is no afterlife (thermodynamics, apparently). But then he qualifies himself. “Philosophers would rightly point out that physicists making bland and sweeping statements is naive. There is naivety in just saying there’s no God; it’s b——s,” he says. “People have thought about this. People like Leibniz and Kant. They’re not idiots. So you’ve got to at least address that.”

He suspects that another civilisation exists in the observable universe, given that it contains 350 billion galaxies. But they would be so far away that we’d never make contact. “

Read it all.

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